"Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a 2012 interview. "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal, why not) can outline the author identity."
You know that feeling when you stumble upon an old movie you haven't seen in years? It's like finding a dusty photo album and flipping through the pages, only instead of bad hairstyles, you're greeted with hideous special effects and awful dialogue. Also, the dramatic tension I remembered as nail-biting was now… well, a little slow-paced. But the truly entertaining part of rewatching a movie is that you notice things you never did before. For example, in Midnight Cowboy , I didn't know that the guy who gave Joe Buck (Jon Voight) a blow job was played by Bob Balaban, who later became known for his role as Russell Dalrymple, the fictional president of NBC in Seinfeld . Released in 1969, Midnight Cowboy is a raw, sometimes uncomfortable, often heartbreaking, but ultimately deeply human. And seriously, the chemistry between Ratso Rizzo (Dustin Hoffman) and Buck is pure gold. Rewatching a movie is like visiting an old friend. You know their idiosyncrasies, their stories, bu...
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