Skip to main content

A Long Walk

One day in 2003, a twenty-two-year-old college drop out from Cebu named Trisha Vicencio decided to move to Manila to set up her own business. She was bold, independent, quite intimidating, and attractive – with an Asian face that you couldn't clearly identify as Filipina or Korean, or Thai; could even have been Indian. Trish was one of the smartest people I ever worked with, and she had this certain degree of neurosis that made her very interesting.

   I got very close to her in that confused and anxious time after quitting my band to get a real job. She was born into a relatively wealthy family in Mandaue. Her father was a diplomat who took his Peruvian wife and their five children around the world in service to his country. She was obsessed with Miles Davis, Thom Yorke, Milan Kundera, and Gaugin. She was not afraid of strange places, and when sleep came and went or wouldn’t come at all, she went for long walks with her Jack Russell.

   Trish and I first met at a mutual friend's funeral in Davao. Three days later, as I was walking through the airport, someone yelled out my name. It was her! And we were boarding on the same plane!

   It was only an hour flight so I had no problems trading my seat so I could be close to her. We talked about our friend John, our interests, and the weather, as folks do when there's a gap in conversation. Her voice was small and typically feminine. Her eyes were small, but not too Asian. I noticed her long black eyelashes, her small but firm chin. She had on a short skirt showing her toned legs and I liked the fact that men stared at her as we walked along.

   Some relationships are shaped by a commonality of passions and beliefs: you're both into photography or jazz or you both despise Jimmy Fallon. We both love music and movies, and a couple weeks later, I found myself among five video editors and motion graphic artists working for Trish in a small postproduction outfit in Manila.

   My friend Christian had an apartment downtown and I asked him if I could come stay with him while I was looking for my own place. I was not ashamed to ask this little favor because I know within a few months I'd have some cash and I'd be on my own in some crummy little dwelling.

   Christian was an amazing character; a tall muscular guy with the bronze leathered skin of a Boracay sun worshipper. When sober, he was a voice talent/columnist/bartender and he fancied himself as a tortured poet and lyricist.

   One Sunday morning, after a few bong hits, I took him to the studio and tried to teach him the basics of video editing. Stoned, and in the mood for some adventure, we messed up with the raw footage of some up and coming filmmaker. I can't remember what happened to that video, but I recalled that I'd developed the habit of smoking weed when I teach Christian the ropes of postproduction.

   While working for Trish, I became obsessed with her. The guys at the studio used to go out for drinks on Friday nights, and a lot of times after the party, I joined Trish in her apartment to talk, listen to music, watch movies, smoke weed, and have casual sex.

   After my resignation from the posthouse, I got a series of dead-end jobs. Trish and I didn't have a formal falling out; we just sort of stopped seeing and (texting) each other.

   Last night, at two in the morning, I sneaked out of my house and went for a long walk. I grabbed a bottle of vodka, watched the stars flicker, reminisced every enchanting thing she made, then fell asleep wondering if I will see her again.

Comments

Popular posts from this blog

The Endurance Artist

I recently stumbled upon the work of Margritt Martinet , whose drawings are giving my brain a delightful yet exhausting workout. This French artist, you see, deals in the glorious, mind-bending borderland between the organic and the futuristic. She doesn't just create art; she crafts entire visual universes that are so immersive and dynamic you feel like you should be wearing a spacesuit just to look at them. My mind simply cannot wrap itself around the sheer volume of focused physical labor that goes into these things. The pieces are intricate, layered, and incredibly consistent. But what truly inspires—and simultaneously mocks—me is her patience. This, my friends, is the real superpower. I once attempted a similar large-scale, intricate project. It started so well: my early lines were sharp, and my geometric shapes were perfect. Then, slowly but surely, as the hours stretched and the cramping started in my wrist, the inevitable descent began. The sharp lines became... a little mo...

Where Fantasy Meets Folklore

Timothée Humbert creates wild, zoomorphic sculptures that pull the viewer into an imaginary world. This place is full of strange, funny, and sometimes grotesque little beings. His creatures feel ancient and childlike at the same time; one can't tell if they are jokes, spells, or something sacred. Humbert was born in Paris in 1979. While primarily a ceramic artist, he also draws, paints, and engraves. He earned his Fine Arts diploma in 2004, and a year later, he set up his studio. Since then, he has created nothing but one-of-a-kind pieces. These include monsters grinning like kids who know something you don't, skulls with attitude, and oddball geniuses who might be ghosts. His style mashes together global traditions and pop culture. You can trace the lines from Japanese ceramics, African sculpture, and Mexican Día de los Muertos, then, out of nowhere, find manga, fantasy, and sci-fi. Together, they create a kind of postmodern language—a jumble of hieroglyphs that hum with life....

Brett Kern fuses 80's pop culture icons into Hellenistic sculptures

Brett Kern is best known for making ceramic art pieces that deceptively look like inflatable toys . But over the course of the last few months, the West Virginia-based clay master and professor have been working hard at finishing a new series of sculptures.  The series is based on 80's pop culture characters and inspired by the Hellenistic period. In this set, you'll find everything from a drunken E.T. (a recreation of the The Barberini Faun ) to a Rafael/ The Dying Gaul mashup. Perhaps my favorite of the bunch (pictured below) is ALF Strangling Cat , which is based on the Greek original Boy Strangling Goose . "I am choosing characters that I sympathize with in some capacity," Brett was quoted as saying by Nerdist.com . "When I used to play Ninja Turtles, I pretended to be Rafael because he was the badass rebel that didn't want to listen to anyone else. Fittingly, my older brother was Leonardo and we clashed often."   Br...