Skip to main content

Latch


Kim wanted Italian, so we went to a place called Afrique’s. This was in Iloilo, a city I know nothing about. We ordered our Sicilian pasta, a seafood pizza, some garlic bread, and a pitcher of cucumber cooler from a fine looking waitress. While waiting for the food, I went out for a quick smoke.

   It was a long day for the both of us. We were bone tired after eight straight hours of repacking and distribution of relief goods to victims of Typhoon Yolanda. Iloilo was one of the cities that was most affected by the tropical cyclone, and with the help from our employer, the LGUs, courageous volunteers and generous partners, we were able to distribute relief packs and conduct medical missions to the affected areas.

   Kim was nine years younger than I. She wore a light green spaghetti strap tank top, some cut off jean shorts, and a pair of flip-flops. There were no rings or bracelets on her hands. Her skin was lightly tanned and her silky black hair fell around her shoulders almost to her waistline. She had nice athletic legs, a trim waist, and shapely hips.

  When she’s not spending time volunteering for disaster relief, she’s doing content marketing and web design. She was from Bacolod and had braces and was witty and could play the violin. I realized that the best way to win her friendship was through pot. So, I took out my pipe, we went out for a toke, and the next thing I knew, she was lecturing me about marketing and Vivaldi.
 
   The sauce on the fettuccine was delicious. The pizza was a bit overrated but was soon gone. We were still chatting about all manner of things at around 10 p.m., but our eyes were getting heavy and we both agreed that it was time to call it a day and head back to the hotel. 

   We talked comfortably for an hour while sipping beers at the lobby. It was amazing. This woman was hilarious and easy to talk to. Then for a long, jittery minute, we stared at each other in silence and then Kim stood up and wished me a good night's rest.
 
   I examined her until we reached the head of the steps. Then I watched her disappear in the darkness of the hallway, and heard the latch of her door slide into place.

Comments

Popular posts from this blog

This installation puts painting robots to shame

In the courtyard of London's Victoria & Albert Museum stands the Elytra Filament Pavilion , a massive glass and carbon fiber canopy fabricated by robots. It is inspired by the fibrous structures of flying beetles and will be open until November in the John Madejski Garden. The futuristic shelter is the brainchild of experimental architect Achim Menges, along with collaborators Moritz Dörstelmann, Jan Knippers and Thomas Auer. While the structure currently measures 200 square meters in size, it will gradually grow bigger overtime, depending on how visitors interact with it.

If you're into vintage erotic art, follow Cold Meat

It's not just the pictures of celebrities in skimpy outfits that makes Instagram interesting. But if those are the only people you follow, then you are missing out. The social media platform is full of some of the most talented artists of the moment, but one account that truly caught my eye is cold___meat , which is dedicated to vintage pictures of BDSM art and erotica.  The account has been cancelled several times, but it's alive and kicking and is showing no sign of slowing down. Dazed recently interviewed Daryl, the mysterious founder of Cold Meat, to learn more about his background, his fear of another shutdown, and his mission to make "formerly clandestine and underground erotica available to a wider audience." A photo posted by Darryl (@cold___meat) on Oct 31, 2015 at 1:11pm PDT A photo posted by Darryl (@cold___meat) on Nov 6, 2015 at 8:35am PST A photo posted by Darryl (@cold___meat) on Jul 22, 2015 at 7:17pm PDT ...

'Scrap Floats' by Aggie Zed

Virginia-based artist Aggie Zed creates fascinating ceramic and mixed media sculptures, paints excellent visual art on paper and draws rather well. In the art world we would call her a triple threat and she does it all very well. There's plenty of her work I wanted to feature here, but I'd rather leave you to lurk around her website and instead I'll focus your attention to her Scrap Floats . These sculptures are comprised of animals, human parts, and other machine-like scraps. The figures are striking in both their surrealism and their humility: disfigured humans sprout wings, fish live out of water, and horses have intricately arranged metal frames for bodies. They're a little bit steampunk, a little bit classical and a whole lot intriguing. Aggie received a BFA in sculpture and painting from the University of South Carolina. She currently lives with her husband in Gordonsville where she keeps animals in her life, especially chickens, which defy anthropomorphis...