Skip to main content

Latch


Kim wanted Italian, so we went to a place called Afrique’s. This was in Iloilo, a city I know nothing about. We ordered our Sicilian pasta, a seafood pizza, some garlic bread, and a pitcher of cucumber cooler from a fine looking waitress. While waiting for the food, I went out for a quick smoke.

   It was a long day for the both of us. We were bone tired after eight straight hours of repacking and distribution of relief goods to victims of Typhoon Yolanda. Iloilo was one of the cities that was most affected by the tropical cyclone, and with the help from our employer, the LGUs, courageous volunteers and generous partners, we were able to distribute relief packs and conduct medical missions to the affected areas.

   Kim was nine years younger than I. She wore a light green spaghetti strap tank top, some cut off jean shorts, and a pair of flip-flops. There were no rings or bracelets on her hands. Her skin was lightly tanned and her silky black hair fell around her shoulders almost to her waistline. She had nice athletic legs, a trim waist, and shapely hips.

  When she’s not spending time volunteering for disaster relief, she’s doing content marketing and web design. She was from Bacolod and had braces and was witty and could play the violin. I realized that the best way to win her friendship was through pot. So, I took out my pipe, we went out for a toke, and the next thing I knew, she was lecturing me about marketing and Vivaldi.
 
   The sauce on the fettuccine was delicious. The pizza was a bit overrated but was soon gone. We were still chatting about all manner of things at around 10 p.m., but our eyes were getting heavy and we both agreed that it was time to call it a day and head back to the hotel. 

   We talked comfortably for an hour while sipping beers at the lobby. It was amazing. This woman was hilarious and easy to talk to. Then for a long, jittery minute, we stared at each other in silence and then Kim stood up and wished me a good night's rest.
 
   I examined her until we reached the head of the steps. Then I watched her disappear in the darkness of the hallway, and heard the latch of her door slide into place.

Comments

Popular posts from this blog

The Adorable Sculptures of Yen Yen Lo

These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

'Anito Kristo' by Ronald Ventura

I've never specifically asked myself what Jesus might look like as a bulul but I can't say I'm disappointed that Filipino artist Ronald Ventura made this mashup a reality. Anito Kristo , his most recent sculpture exhibition at Secret Fresh Gallery , reimagines Christ as the rice guardian of Northern Philippine tribes. Traditionally, bulul are installed in barns to protect rice from pests, thieves and spoilage. They are also credited for an increase in harvest, or even magically increasing rice in storage. Now they have lost their ritual significance and have been relegated to souvenirs and decorations. I've come to expect the unexpected with mashups, but I'll admit—I didn't see this one coming. Ronald is arguably the Philippines' most commercially successful visual artist. In 2011, he set a historic record at the Sotheby's Modern and Contemporary Southeast Asian Paintings auction in Hong Kong when his piece sold for nearly 47 million pesos. ...

The Art of Nicola Samori

Does Nicola Samori ever underwhelm? The Italian painter and sculptor caught my attention some two years ago, when I stumbled upon his work on Artsy . Samori creates dark, Baroque-inspired oil paintings by layering and fusing images on canvas, wood or other objects. His work stems from fear, and his process involves "skinning" his painted figures with a palette knife or thinner and painting over the surfaces multiple times to achieve deep-seated results. "Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a  2012 interview . "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal,...