So much to enjoy in the first episode of True Detective's second season. It's too early to tell whether it will live up to the series' Emmy-winning first season, but great performances all around, with Colin Farrell proving to be the right choice to play Detective Ray Velcoro, and not just because of his physical appearance. (Said my wife while eating soggy french fries, during one of his scenes: "Ang gwapo talaga n'ya!") Taylor Kitsch brings remarkable depth to the character of Officer Paul Woodrugh. Rachel McAdams is reliable as always, and personally, I loved the opening credits.
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...
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