'Apophenia' by Luis Lopa

If you're into large-scale, color-intensive, and multi-layered art pieces, Luis Lopa's work is an absolute delight. The Filipino artist, who works primarily in acrylic, paints beautiful contrast of textures, shapes, and lines with pops of vibrant colors reminiscent of kaleidoscopic patterns, but soothing to the eye.

Luis graduated from the University of British Columbia with a major in Visual Arts. He started off his career in Vancouver, where his illustrations appeared on t-shirts, ski sets, and the walls of various galleries. Now, he's back in Manila and is currently working on finding his spot in the local art scene.

Luis draws inspiration from all forms of visual culture, from books and films to cartoons and fashion. His recent solo exhibition, Apophenia, showcased not only his raw and spontaneous visual power but also his open-minded versatility. You can check out the photos here.

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1968 Computer Art Done by Plotters

These drawings received honorable mentions in the 1968 Computer Art Contest organized by Computers and Automation magazine . Most of the images in the issue were programmed in Fortran and were plotted off line on CalComp plotters . [h/t: Kottke ]

This steampunk-themed cafe makes the meme cool again

Now, maybe I'm as tired of steampunk as you guys, but that doesn't mean I'm going to pretend something like this isn't cool. Located in the Romanian city of Cluj, Enigma claims to be "the world's first kinetic steampunk bar." I don't know if that's true, but the place looks pretty dope with all the dynamic art installations. [h/t: Colossal ]

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

finding cain

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