Skip to main content

Twenty years from now, we could all be surfing in hazmat suits


What will beach life be like in the future? Michael Dyrland explored this topic with a series of photos featuring surfers, lifeguards, and beach goers wearing hazmat suites to protect themselves from the contaminated waters. 

In HAZMAT Surfing we come face-to-face with how oceans might be like twenty or twenty-five years from now. Dyrland chose California's Venice Beach as a location for the shoot because of its world-wide relevance to surfing and the surf community. The Washington-based photographer came up with the idea after he was unable to enter the water on a trip to Los Angeles because of ten billion gallons of run off that had polluted the ocean after an evening of heavy rain.

Dyrland is hoping to expand the project to different beaches across the globe; "There are many spots in the ocean that are worse off than Los Angeles," he says.




Comments

Popular posts from this blog

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

The Adorable Sculptures of Yen Yen Lo

These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.