'The Many Sad Fates of Mr. Toledano'

I haven't seen it yet, but according to the production notes it's about a photographer who became obsessed with his fear of the future and decided to channel his apprehensions into a photography project. Using DNA tests, fortune tellers, and a prosthetic makeup artist, Phil Toledano puts himself in some situations that frighten him most, including obesity, desolation, stroke, isolation, and death.

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So, have you given Chloe Qisha a listen yet?

What I love about the Malaysian-born singer-songwriter is her knack for crafting those sad/happy songs – music that makes you want to cry and hit the dance floor at the same time. Chloe writes about love, anxiety, and self-acceptance with such wit and honesty. Her beauty is also undeniable – a perfect blend of modern allure and timeless Asian elegance. Her looks shine through with such grace and an effortlessly cool confidence. Here is my favorite.

Press Play Again

You know that feeling when you stumble upon an old movie you haven't seen in years? It's like finding a dusty photo album and flipping through the pages, only instead of bad hairstyles, you're greeted with hideous special effects and awful dialogue. Also, the dramatic tension I remembered as nail-biting was now… well, a little slow-paced. But the truly entertaining part of rewatching a movie is that you notice things you never did before. For example, in Midnight Cowboy , I didn't know that the guy who gave Joe Buck (Jon Voight) a blow job was played by Bob Balaban, who later became known for his role as Russell Dalrymple, the fictional president of NBC in Seinfeld . Released in 1969, Midnight Cowboy is a raw, sometimes uncomfortable, often heartbreaking, but ultimately deeply human. And seriously, the chemistry between Ratso Rizzo (Dustin Hoffman) and Buck is pure gold. Rewatching a movie is like visiting an old friend. You know their idiosyncrasies, their stories, bu...

Inside the Mind of Gil Bruvel

Just discovered Gil Bruvel's art and my mind is officially blown. He turns wood into pure motion and human forms into something otherworldly. Gil's mastery of his chosen medium is undeniable. You find yourself leaning in, squinting, trying to figure out how he does it. He's a master illusionist and he challenges us to question what we see, to look beyond the obvious, and to embrace the fluidity of existence.

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