Helene Meldahl combines mirror selfies with her love of art

A few days ago my good friend Kim alerted me to this adorable artist on Instagram. I must've been living under a rock because I wasn't aware of her work. Well, better late than never.

Most girls are addicted to taking selfies, and Helene Meldahl is no exception. However, the 27-year-old Norwegian artist has taken the game to a whole new level. Her self-portraits are fresh, quirky, creative and they remind us all to have a little fun.

For more than two years, Helene (aka @mirrorsme) has been filling her IG account with unique mirror doodles. Using chalk, markers, and a little imagination, she creates delightful environments before snapping away. Initially drawing on mirrors with her lipstick to leave cute messages for her roommate, the drawings evolved from small to elaborate illustrations. Check out some of her clever selfies below.

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She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

finding cain

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