Skip to main content

Katie McCann's delightfully grotesque paper creatures


Every now and then I like to go to Katie McCann's tumblr and dig through her wonderfully weird creations once again to see what new can I find in them. Her collages are insane, and I mean that in the best possible way. 

Katie (aka Beetle Blossom) is an English artist currently living and working in Berkeley, California with a passion for everything unusual, grotesque and unique. Using cut outs from old medical books and magazines, she creates intricate Frankenstein-like figures "who are sometimes static like specimens and at other times are surviving in a unique habitat." She often incorporates lace, beads and fabric into her work to make them appear more elegant.

Artist Statement:
"I have known such a creature (Charles Altamont Doyle) is how I start my collages. As a child, I lived in a wonder world of faeries, witches, science fiction and botany. Not much has changed, the only difference being that I record all of my thoughts and stories in the form of intricately cut and pieced together collages. I like everything old and a little tired so I seek out images and photographs that are antique, vintage and forgotten. I transform these paper memories and records into other worldly creatures who are sometimes static like specimens and at other times are surviving in a unique habitat. I am rooted in the tradition of old fashioned childhood where discovery was at the bottom of the garden in amongst the crushed leaves, the lilac and the fungi. I hope that the creatures I uncovered in that quiet landscape are reflected in my collages."




Follow Katie's tumblr for more disturbing goodness.

Comments

Popular posts from this blog

When chocolate meets art

I heard it's National Chocolate Day, so I thought I'd share this video about Orlando's newest and sweetest attraction.

The Three-Step Secret

Have you ever encountered a painting that, up close, is pure chaos—a riot of color, a tantrum of brushstrokes? Yet, take a few steps back, and suddenly, the mess organizes itself. As if by cruel magic or divine intervention, the disarray snaps into clarity. That is the experience of viewing the art of Montana Engels . Her work is a testament to this phenomenon. Up close, Montana's canvases appear as nothing more than abstract, hand-painted stripes. Then you move away. Instantly, the mess resolves into a stunning, realistic portrait. The technique is extraordinary, turning proximity into confusion and distance into focus. Montana wasn’t always a phenomenon. Her creativity was just a hobby. Then came Belgium’s Got Talent . Suddenly, she was noticed. Now, she's everywhere. If you have a Facebook account, you might want to follow her .

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...