Be nice to your nose

Back in the 70s, print ads offering all kinds of cocaine paraphernalia could be found in popular magazines like High Times and Hustler. The World's Best Ever, one of my favorite art and culture sites, unearthed a bunch of vintage advertisements promoting spoons, straws and vials for the sophisticated coke users. Here are a few of my favorites:

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Gilbert Legrand turns mundane stuff into delightful characters

Gilbert Legrand doesn't see the world like the rest of us. You see a scrubbing brush, he sees an Apache chief. You see a a pair of scissors, he sees smooching lovers. The French artist's imagination is so wild and unrestricted that he can turn the most ordinary objects into unexpected sources of delight. I just spent half an hour lurking on his website, and you should, too.

The Salimbaa

Here's a strange tribal instrument I never heard of before now. Originally from the Tinananon tribe of southern Philippines, the bowl-shaped Salimbaa is made of metal and wood, has 30 bronze wound strings, and is played using two small sticks. Caleb Byerly, who makes lost/extinct musical tools in his North Carolina workshop, has an interesting story on how he made his first Salimbaa. WATCH: More details about Caleb and his craft over at Our State .

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

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