Skip to main content

Paul Thomas Anderson makes first foray into docu with 'Junun'

The reviews of Paul Thomas Anderson's Junun have been respectful but not enthusiastic. This did not stop me from watching it. Radiohead guitarist Jonny Greenwood stars in it, so I know that even if it turns out to be terrible, I still have Greenwood to listen to. But the film is not about him, and he barely says a word.

Junun, an alternate spelling of "junoon," which means "mania," or "the madness of love" is a decent, stylishly packaged music-themed doc, but it's not that great. It had its worldwide debut at the New York Film Festival, last week, and is currently streaming on MUBI, which charges $4.99 a month (or $39.99 a year) for access to a library of hand-selected flicks. Check out the trailer below.

Comments

Popular posts from this blog

When chocolate meets art

I heard it's National Chocolate Day, so I thought I'd share this video about Orlando's newest and sweetest attraction.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

Hand-Painted Bags That Tell Your Story

  Most bags today look like they were produced by bored machines in a dimly lit factory. You can walk into any mall and find rows of identical leather (or “leather-like”) things, all claiming to express individuality. Ironically, though, they all look exactly the same. Then there’s Abby Verano . Her bags are not mere accessories; they’re declarations. Each one is hand-painted, touched by an actual human being with an imagination. Abby doesn’t just sell you something to put your wallet and smartphone in; she sells you a story, a vision, a little revolt against the tyranny of sameness.  Her tools are simple — brushes, acrylic paint, bags made from pandan leaves, and creativity. No duplicates. No clones. Just one-of-a-kind art pieces you can carry.