Skip to main content

Matthäus Schwarz: The original fashion blogger


In the 16th century, a fashion-obsessed German documented his changing styles in a series of hand-drawn portraits which he gathered together in a "book of clothes." The Klaidungsbüchlein is a fascinating manuscript by Matthäus Schwarz, a successful merchant in Augsburg who worked as an accountant for the powerful Fugger family.

The book gives an extraordinary insight into the colorful, joyous Renaissance fashion, but what makes it exceptional is that it depicts Schwarz and his outfit in every stage of his life, from the clothes he wore as a new-born infant to the dark robes he donned as a gray-bearded old man. From 1520 until 1560 he chronicled his look commissioning paintings by local artists. Alongside the images Schwarz provides a small commentary of his attire, and his own figure, through a period of time.

The Herzog Anton Ulrich Museum in Braunschweig got hold of the original manuscript, but it's rarely displayed because the pages are so fragile. Luckily their annotated English translation, The First Book of Fashion, has been released in both hardback and digital format, making the centuries-old "selfies" more accessible.





[h/t: The Atlantic]

Comments

Popular posts from this blog

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

Kidlat de Guia's woven art

Kidlat De Guia is a photographer and filmmaker who lives and works in the Philippines. He is best known for a body of work that mixes different media as well as traditional with contemporary art-making techniques. The selected images in this post were part of his Woven into Being exhibition, which took place a fews weeks ago at the Galeria Duemila in Pasay City. This series of portraits deals with the idea of blending modern photography with the indigenous art of weaving to produce geometric tapestries with tile-like look. Working with his stock of photos taken during trips and fieldwork around the Philippines, Kidlat creates double vistas through the cutting, splicing, and weaving of the pictures. The results are rivetingly composite and texturized layers of photographic images that disclose an alternate reality.