Skip to main content

Caterpillar unveils the S60: the first smartphone with a built-in thermal camera

I rarely blog about smartphones nowadays, but this one truly caught my eye.


The Caterpillar brand is synonymous with its tractors and heavy machinery equipment, but now the company wants to strengthen its presence in the smartphone arena with the all-new Cat S60. The $599 Android device is built to survive drops from 1.8 meters – and it has thermal imaging sensors built into it. The good thing about it is that you can use the camera to see and measure heat from up to 100 feet away.

Putting a heat-vision cam into a smartphone might seem impractical, but I think it's pretty cool. If you're an electrician, thermal imaging can help reveal where circuitry is heating up, or if you're having a barbecue with some pals you could check the temperature of your lamb chops.

Along with the thermal camera, the Cat S60 also features a 13-megapixel snapper, water resistance up to five meters for up to an hour, 4.7-inch HD display, a Snapdragon octa-core processor, 3GB of RAM, 4G LTE connectivity, expandable storage, Bluetooth, NFC and Android 6.0 Marshmallow. The phone has a Gorilla Glass 4 screen, and the device will still work even if you have wet fingers, or are wearing gloves. Pretty impressive!

Comments

Post a Comment

Popular posts from this blog

She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...