Gilbert Legrand turns mundane stuff into delightful characters

Gilbert Legrand doesn't see the world like the rest of us. You see a scrubbing brush, he sees an Apache chief. You see a a pair of scissors, he sees smooching lovers. The French artist's imagination is so wild and unrestricted that he can turn the most ordinary objects into unexpected sources of delight. I just spent half an hour lurking on his website, and you should, too.

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Check out this insane music box powered by 2,000 marbles

The brainchild of Swedish musician Martin Molin, the Wintergartan Marble Machine , is a bizarre music box that allows the user to play tunes using a hand crank and 2,000 steel marbles. The Rube Goldberg'esque contraption features a vibraphone, bass, drums, cymbals and other instruments that play a score programmed into a 32 bar loop comprised of LEGO Technic parts. It's mesmerizing, and you can watch how they built it over here . [h/t: MailOnline ]

Of birds and tats

Larry Bird really doesn't like that mural of him which featured the three-time NBA MVP in a blue Indiana State jersey with tattoos all over his body. "The Great White Hope" is now trying to get it altered, and had his reps reach out to graffiti and street artist Jules Muck to do so. As WISH reports , soon after Jules completed the piece, she was contacted by Larry's lawyer asking her to do something about it, "citing unauthorized promotional value to her brand" and to the six trademarks owned by the 62-year-old former Celtics star. Larry's issue with the artwork was the tarnishing of his image and his 'brand' by affixing tats to his face, arms and neck. Jules meanwhile, said she never intended to offend the basketball legend. The image that inspired the mural came from the November 1977 Sports Illustrated cover story in which Larry was referred to as "College Basketball's Secret Weapon."

A Look at Karl Arnaiz's "Duality"

It 's me, not the artist. Karl Arnaiz's "Duality" (currently on view at Eskinita Art Gallery ) is an invitation to ponder the complexities of life and appreciate the balance that exists even in differences. This 36 x 27-inch piece in charcoal and watercolor isn't just art that looks pretty on a wall. It's art that makes you stop, think, and maybe even re-evaluate how you see the world. Karl Arnaiz paints a meditation on death and its contrasting yet inevitable connection with life. In Duality, he explores the darker corners of the human experience. There is a certain sense of psychological imprisonment that permeates his work, as he paints a woman confined in a room with a disconnected skull floating against the wall. It shows how powerless humans are in the face of mortality and how the imminent passage of time from the woman’s face to the skull is simply nothing but a straight line, a blank, negative space on the wall, showing how nothing can obstruct death...

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