Gilbert Legrand turns mundane stuff into delightful characters

Gilbert Legrand doesn't see the world like the rest of us. You see a scrubbing brush, he sees an Apache chief. You see a a pair of scissors, he sees smooching lovers. The French artist's imagination is so wild and unrestricted that he can turn the most ordinary objects into unexpected sources of delight. I just spent half an hour lurking on his website, and you should, too.

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Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

Other World

Walking through Altro Mondo, Italian for “other world”, you get the sense that every piece was chosen for its ability to provoke a feeling, tell a story, or simply exist as a unique expression of human imagination. This creative space in Makati promotes young, emerging Filipino artists, along with the commercially and critically renowned. One room is filled with large, colorful paintings, another is a study in minimalism. Altro Mondo is a place to go to be reminded of what’s possible. I saw a landscape that made me want to write a book about a small town in Masbate. I saw a chaotic abstract piece that made me want to throw paint at a corrupt government official, just to see what happens. So, next time you're feeling a bit lost, find a gallery and step into a world of creativity.

The Unseen Emotional Landscape

I'm currently obsessed with Pon Arsher . Her paintings are like a stylish cage fight between realism and abstraction, and every human figure seems to be nursing a perfectly haunting and beautiful existential hangover. On my computer, it's cool. But I want to see the real deal. The internet is probably the greatest gallery humanity has ever created. But sometimes, a piece of art leaps off the screen and refuses to be contained by your monitor. Anyway, when she was young, the self-taught Moldovan artist found drawing in silence more fulfilling than socializing. But she wasn't avoiding life; she was capturing it. Drawing wasn't an escape from friends, but an intense conversation with the most essential, silent part of her soul. Her art looks like an emotional x-ray, and it lulls me into a dream state. It's also a reminder, for herself and viewers, that our feelings—even the bad ones—are valid. Ms. Arsher proves that art only needs an authentic voice and the courage to ...

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