Skip to main content

This music video was filmed with a Kinect and industrial laser scanner


This is pretty cool: director Sam Peacocke ditched his cameras and used an industrial laser scanner and a Kinect to create this music video for Pacific Heights's Buried by the Burden. It's grainy, ghostly, and downright fascinating.

New Zealand-based songwriter and producer Devin Abrams, who performs under the moniker Pacific Heights, offers a few words about the video: "This project replicates the constantly decaying mechanism of memory by way of the techniques used to make it. No cameras were used at any stage in the production; instead low‐resolution, 3D models of environments were captured with an industrial laser scanner. Into these worlds we then placed the vocalist, Louis Baker; his likeness in motion was captured with a gaming interaction sensor, the X‐Box Kinect."

[h/t: Nowness]

Comments

Popular posts from this blog

Check out this insane music box powered by 2,000 marbles

The brainchild of Swedish musician Martin Molin, the Wintergartan Marble Machine , is a bizarre music box that allows the user to play tunes using a hand crank and 2,000 steel marbles. The Rube Goldberg'esque contraption features a vibraphone, bass, drums, cymbals and other instruments that play a score programmed into a 32 bar loop comprised of LEGO Technic parts. It's mesmerizing, and you can watch how they built it over here . [h/t: MailOnline ]

A Look at Karl Arnaiz's "Duality"

It 's me,  not the artist. Karl Arnaiz's "Duality" (currently on view at Eskinita Art Gallery ) is an invitation to ponder the complexities of life and appreciate the balance that exists even in differences. This 36 x 27-inch piece in charcoal and watercolor isn't just art that looks pretty on a wall. It's art that makes you stop, think, and maybe even re-evaluate how you see the world. Karl Arnaiz paints a meditation on death and its contrasting yet inevitable connection with life. In Duality, he explores the darker corners of the human experience. There is a certain sense of psychological imprisonment that permeates his work, as he paints a woman confined in a room with a disconnected skull floating against the wall. It shows how powerless humans are in the face of mortality and how the imminent passage of time from the woman’s face to the skull is simply nothing but a straight line, a blank, negative space on the wall, showing how nothing can obstruct death...

Of birds and tats

Larry Bird really doesn't like that mural of him which featured the three-time NBA MVP in a blue Indiana State jersey with tattoos all over his body. "The Great White Hope" is now trying to get it altered, and had his reps reach out to graffiti and street artist Jules Muck to do so. As WISH reports , soon after Jules completed the piece, she was contacted by Larry's lawyer asking her to do something about it, "citing unauthorized promotional value to her brand" and to the six trademarks owned by the 62-year-old former Celtics star. Larry's issue with the artwork was the tarnishing of his image and his 'brand' by affixing tats to his face, arms and neck. Jules meanwhile, said she never intended to offend the basketball legend. The image that inspired the mural came from the November 1977 Sports Illustrated cover story in which Larry was referred to as "College Basketball's Secret Weapon."