This music video was filmed with a Kinect and industrial laser scanner

This is pretty cool: director Sam Peacocke ditched his cameras and used an industrial laser scanner and a Kinect to create this music video for Pacific Heights's Buried by the Burden. It's grainy, ghostly, and downright fascinating.

New Zealand-based songwriter and producer Devin Abrams, who performs under the moniker Pacific Heights, offers a few words about the video: "This project replicates the constantly decaying mechanism of memory by way of the techniques used to make it. No cameras were used at any stage in the production; instead low‐resolution, 3D models of environments were captured with an industrial laser scanner. Into these worlds we then placed the vocalist, Louis Baker; his likeness in motion was captured with a gaming interaction sensor, the X‐Box Kinect."

[h/t: Nowness]

Comments

If you're a fan of pop culture, you’ll find something here that resonates.

Secret Fresh is a place where art feels, well, fresh. It's a vibrant, energetic hub where contemporary pieces, designer toys, and pop culture collide. The gallery is also a constant source of inspiration, reminding you that art can be anything, anywhere, and for everyone. If you have time, check out the place. You might just discover your new favorite artist. The prices are usually much more accessible than those in bigger, old school galleries, making it a perfect spot to start your own collection or find that cool gift.

In Memory of Laura

So sad this morning to hear of the unexpected death of Laura, an old fiend and former dentist. I will always remember her bizarre taste in music, her dark humor, and her unwavering belief that a person’s worth is tied to their oral care routine. Last year, we wanted to meet and work together again on something and I am very, very sorry that will never happen. I've mentioned her in a 2015 blog post , and today I will rerun the tale... Not So Happy Ending Not so long ago, I went for a drink in a pub in Ortigas. I had second thoughts about entering the establishment when I noticed there were so many people inside. There were men with ironic beard and pretentious hairstyles dressed in rolled up chinos and check shirts; women in vintage sundresses, skinny jeans, and acid wash denim cutoff shorts; actors and models trying to look hip; and a bunch of call center agents who wanted to get drunk before they start their graveyard shifts. There was this famous guitarist at one table, with sho...

Invisible People

Jinyoung Yu's art is a powerful statement about the duality of human existence – the conflict between who we are and who we pretend to be. When I look at her creations, I find myself not just admiring the form, but contemplating the meaning. At first glance, Yu's translucent figures might seem like apparitions. The South Korean artist uses plastics or transparent PVC for the body and clay for the heads, clothes, and accessories. The faces are often doll-like and mysterious, with subtle expressions of melancholy. Her art reminds me that our real power often lies in our transparency, our willingness to be seen in all our delicate, complex glory. More on her Artsy page

finding cain

Search This Blog