It's hard to believe this 1994 short was directed by Wes Anderson

You can always tell it's a Wes Anderson movie when you are watching one of his creations. I just love how the films so often blend quirky plots with technical precision, adopting a similar style so that each film already seems familiar. However, it is interesting to take note of how much his filmmaking has evolved since his 1994 short, Bottle Rocket.

The 13-minute film, which would two years later become the feature of the same name, doesn't have Anderson's trademark style that audiences have become accustomed to over the past twenty years. It's shot in black and white, has a jazzy score, and looks and feels more like a Woody Allen flick than a Wes Anderson production.

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Weirdly Charming

If you’re a fan of art that makes you do a double-take, you need to check out Richard Brener . Based in the UK, Richard is an internationally collected artist who works primarily with ink, fineliners, and gouache. When you first see his pieces, they actually look pretty playful. Then you realize the entire canvas is packed with thousands of tiny, ghost-like shapes he calls "champs." They’re all squeezed together like commuters on a rush-hour train, and the level of detail is honestly mind-blowing. Richard spends hundreds of hours drawing these little guys over and over. It’s obsessive, very intentional, and a little bit wild. The cool part is that the longer you stare, the more the vibe shifts. Check out more photos below:

These master glassblowers make the difficult look easy

I've never seen Glas before and I'm absolutely delighted that Aeon Magazine uploaded the short doc on its Vimeo channel . Directed by Bert Haanstra, the 10-minute film about glass making won an Oscar for Best Short Documentary in 1959. "[ Glas ] contrasts the production of hand made crystal from the Royal Leerdam Glass Factory with automated bottle making machines in the Netherlands. An industrial film with a bebop heart, its lyrical use of light and sound still looks and sounds fabulous, nearly 60 years after it was made."

Stone horsemen invade River Thames

It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale , a floating house , a massive wooden hippo . If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor , rising above the riverside beach. The artwork, titled The Rising Tide , is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.

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