These 3D models from 'The Dark Knight Rises' look incredibly real

CGI has evolved drastically in recent years that it's becoming difficult to tell the difference between real life and renderings. Take, for example, these posters for The Dark Knight Rises. What you're looking at aren't photos, and no part of these images included Anne Hathaway. They're 100% 3D models created by Norwegian artist Per Haagensen. Her red lips, lush, auburn hair, firm breasts and fierce eyes are all computer-generated imagery.

The photorealistic models were digitally sculpted and textured using Zbrush and Lightwave, while the background art was done in Photoshop. The lighting, detail, and color grading are just insane! You can see more of Per's creations at his ArtStation page.

[h/t: theCHIVE]

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Weirdly Charming

If you’re a fan of art that makes you do a double-take, you need to check out Richard Brener . Based in the UK, Richard is an internationally collected artist who works primarily with ink, fineliners, and gouache. When you first see his pieces, they actually look pretty playful. Then you realize the entire canvas is packed with thousands of tiny, ghost-like shapes he calls "champs." They’re all squeezed together like commuters on a rush-hour train, and the level of detail is honestly mind-blowing. Richard spends hundreds of hours drawing these little guys over and over. It’s obsessive, very intentional, and a little bit wild. The cool part is that the longer you stare, the more the vibe shifts. Check out more photos below:

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Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

finding cain

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