Dude (Sounds Like a Lady)

Two years ago I received an email from my good friend, Lisa, with "You'll like these" as its subject, some photos of our trip to Cebu and Davao, and a link to Rhye's SoundCloud page. I saved the pictures and clicked on the link. Soon I was digging the exquisite mix of musical instruments, the ethereal ambience on each track, and the sensual vocals and dreamlike harmonies. I was surprised however, to discover that the lead singer of the mysterious duo was actually a man. While some guys can do a high-pitched falsetto it could have your ears quite confused, Rhye's Mike Milosh possesses a natural alto, and his smooth voice has drawn a number of comparisons to Sade and Tracey Thorn.

Comments

She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

finding cain

Search This Blog