Video essay about books in Wes Anderson films

You always know when you're watching a Wes Anderson film. Family is at the center of every story the 46-year-old director chooses to tell, and his movies typically adhere to a color palette, that is highly saturated. I always notice the tracking shots and his profound love of symmetry in all of his shot compositions, but I never noticed that books appear frequently throughout his films, until Luis Azevedo of The A To Z Review pointed it out:

"In the work of Wes Anderson, books and art in general have a strong connection with memory. The Royal Tenenbaums (2001) begins with a homonymous book, as does Fantastic Mr. Fox (2009). The Grand Budapest Hotel (2014) begins and ends with a book. Moonrise Kingdom (2012) ends with a painting of a place which no longer exists. These movies have a clear message: books preserve stories, for they exist within them and live on through them."

[h/t: Open Culture]

Comments

Hand-Painted Bags That Tell Your Story

Most bags today look like they were produced by bored machines in a dimly lit factory. You can walk into any mall and find rows of identical leather (or “leather-like”) things, all claiming to express individuality. Ironically, though, they all look exactly the same. Then there’s Abby Verano . Her bags are not mere accessories; they’re declarations. Each one is hand-painted, touched by an actual human being with an imagination. Abby doesn’t just sell you something to put your wallet and smartphone in; she sells you a story, a vision, a little revolt against the tyranny of sameness. Her tools are simple — brushes, acrylic paint, bags made from pandan leaves, and creativity. No duplicates. No clones. Just one-of-a-kind art pieces you can carry.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

When chocolate meets art

I heard it's National Chocolate Day, so I thought I'd share this video about Orlando's newest and sweetest attraction.

finding cain

Search This Blog