Video essay about books in Wes Anderson films

You always know when you're watching a Wes Anderson film. Family is at the center of every story the 46-year-old director chooses to tell, and his movies typically adhere to a color palette, that is highly saturated. I always notice the tracking shots and his profound love of symmetry in all of his shot compositions, but I never noticed that books appear frequently throughout his films, until Luis Azevedo of The A To Z Review pointed it out:

"In the work of Wes Anderson, books and art in general have a strong connection with memory. The Royal Tenenbaums (2001) begins with a homonymous book, as does Fantastic Mr. Fox (2009). The Grand Budapest Hotel (2014) begins and ends with a book. Moonrise Kingdom (2012) ends with a painting of a place which no longer exists. These movies have a clear message: books preserve stories, for they exist within them and live on through them."

[h/t: Open Culture]

Comments

Inside the Mind of Gil Bruvel

Just discovered Gil Bruvel's art and my mind is officially blown. He turns wood into pure motion and human forms into something otherworldly. Gil's mastery of his chosen medium is undeniable. You find yourself leaning in, squinting, trying to figure out how he does it. He's a master illusionist and he challenges us to question what we see, to look beyond the obvious, and to embrace the fluidity of existence.

More Than Just Smiles and Sunsets

Ayala Museum is currently hosting "Amorsolo: Chroma" - a spectrum of brilliance you wouldn't want to miss. It is more than just a collection of paintings; it’s an experience. It’s a masterclass in light and color, a journey into the mind of a Filipino genius, and a fresh perspective on an artist many of us thought we knew. The first thing that you will notice you when you step into "Chroma" is… well, the chroma. While Amorsolo is famed for his mastery of light, this exhibition dives deeper into his entire color palette. It’s like entering a vibrant, living spectrum. Go check it!

Press Play Again

You know that feeling when you stumble upon an old movie you haven't seen in years? It's like finding a dusty photo album and flipping through the pages, only instead of bad hairstyles, you're greeted with hideous special effects and awful dialogue. Also, the dramatic tension I remembered as nail-biting was now… well, a little slow-paced. But the truly entertaining part of rewatching a movie is that you notice things you never did before. For example, in Midnight Cowboy , I didn't know that the guy who gave Joe Buck (Jon Voight) a blow job was played by Bob Balaban, who later became known for his role as Russell Dalrymple, the fictional president of NBC in Seinfeld . Released in 1969, Midnight Cowboy is a raw, sometimes uncomfortable, often heartbreaking, but ultimately deeply human. And seriously, the chemistry between Ratso Rizzo (Dustin Hoffman) and Buck is pure gold. Rewatching a movie is like visiting an old friend. You know their idiosyncrasies, their stories, bu...

finding cain

Search This Blog