With this organic urn, you can become a tree when you die

There's an increasing trend of people choosing cremation over burial as a funeral rite. Why? Because in most cases, cremations are cheaper, and they offer some flexibility for the family in terms of memorial service. Some people wish their ashes to be scattered, while others choose to keep their remains in an urn or in special jewelry. I don't know about you guys, but when I die I want to be immortalized as a tree.

This is possible with Bios Urn, a biodegradable vessel made from coconut shell, compacted peat and cellulose that turns ashes into a beautiful tree. Designed and created by Barcelona-based Gerard Moline and Martin Azua, the urn comes with either pine, gingko, maple, oak, ash or beech tree seeds, but just about any type of seed or seedling can be used.

The ashes are stored in the lower part of the container and the upper section holds soil. Eventually, both the urn and ashes become part of the subsoil. In case you didn't know ashes, including those from cremated remains, are a good sources of phosphorus for plants.

Now that's the tree of life!

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Where Fantasy Meets Folklore

Timothée Humbert creates wild, zoomorphic sculptures that pull the viewer into an imaginary world. This place is full of strange, funny, and sometimes grotesque little beings. His creatures feel ancient and childlike at the same time; one can't tell if they are jokes, spells, or something sacred. Humbert was born in Paris in 1979. While primarily a ceramic artist, he also draws, paints, and engraves. He earned his Fine Arts diploma in 2004, and a year later, he set up his studio. Since then, he has created nothing but one-of-a-kind pieces. These include monsters grinning like kids who know something you don't, skulls with attitude, and oddball geniuses who might be ghosts. His style mashes together global traditions and pop culture. You can trace the lines from Japanese ceramics, African sculpture, and Mexican Día de los Muertos, then, out of nowhere, find manga, fantasy, and sci-fi. Together, they create a kind of postmodern language—a jumble of hieroglyphs that hum with life....

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These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

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Street art has rewritten the story of cities. What used to be blank concrete now hums with color. It's not just rebellion—it's existence, declared in aerosol. Murals rise where billboards used to glare. Festivals sprout up, neighborhoods come alive, and what was once vandalism becomes culture. We have to thank the people behind this, artists like Dasic Fernández . The Chilean-born, New York-based muralist wants to make the world more colorful. His works spill across continents—from Chinatown to Santiago to the desert of Diriyah. Each one transforms a gray, ignored corner into something radiant, impossible to overlook. While studying architecture in Chile, he became obsessed with how art could shape the city itself. Street art, for him, was the purest form of dialogue: direct, public, and alive. “Painting on the street,” he says, “carries great responsibility—both artistic and social.” Here are some of my favorites. Be sure to follow Dasic's Instagram for more.

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