With this organic urn, you can become a tree when you die

There's an increasing trend of people choosing cremation over burial as a funeral rite. Why? Because in most cases, cremations are cheaper, and they offer some flexibility for the family in terms of memorial service. Some people wish their ashes to be scattered, while others choose to keep their remains in an urn or in special jewelry. I don't know about you guys, but when I die I want to be immortalized as a tree.

This is possible with Bios Urn, a biodegradable vessel made from coconut shell, compacted peat and cellulose that turns ashes into a beautiful tree. Designed and created by Barcelona-based Gerard Moline and Martin Azua, the urn comes with either pine, gingko, maple, oak, ash or beech tree seeds, but just about any type of seed or seedling can be used.

The ashes are stored in the lower part of the container and the upper section holds soil. Eventually, both the urn and ashes become part of the subsoil. In case you didn't know ashes, including those from cremated remains, are a good sources of phosphorus for plants.

Now that's the tree of life!

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Preserved tattoos of the dead

The idea of preserving tattoos after death came into existence long before NAPSA . London's Wellcome Collection has over 300 specimens of preserved human flesh bearing tattoos , collected in the late 19th century. There are many more examples of smaller collections in Paris, Poland, Portugal, Berlin, and Austria. But what fascinates me the most is this lesser-known museum at Tokyo University, the Medical Pathology Museum, which houses pieces of skin collected since 1926 by Dr. Masaichi Fukushi. "Fukushi would perform autopsies on donated cadavers and dissect off just the skin. He created a method of treatment to preserve the skin and kept them stretched in a glass frame, essentially like a leather. Later the ownership of the tattooed skin collection was passed on to Fukushi's son Katsunari. Katsunari added a further 20 tattooed skins himself and it's believed that the Medical Pathology Museum has 105 in its collection, many with full body suits." ...

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

Roamcouch in Fukushima

Ryo Ogawa, better known as Roamcouch, recently finished this beautiful art piece in Fukushima. The 43-year-old Japanese street artist spent four days working on the mural and was joined by local kids in spray painting the stars on the side of the windmill. Influenced by manga, Roamcouch is known for his impressive works that can require up to fifty different layers of stencils. Incredibly, each stencil is both hand-drawn and hand-cut by the Gifu native himself. Roamcouch spray-paints on top of each stencil until he gets his desired results. His work has been featured at solo and group exhibitions in Japan, Norway, London, Malaysia, Germany, France, and in the US. In 2014, he opened his first solo show, titled A Beautiful Life , in New York and achieved an amazing feat of selling out the entire collection. Roamcouch has a Facebook page that updates quite often and a website where you can find all his work.

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