It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale, a floating house, a massive wooden hippo. If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor, rising above the riverside beach.
The artwork, titled The Rising Tide, is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.
In the 70s and 80s movie theaters in Manila were usually standalone buildings with nice seats and red curtains. To sell tickets, cinemas needed to advertise their offerings. But they did not have the original posters, or the means to print alternatives. So they made their own, commissioning local artists to hand-paint them. I really miss those hand-painted posters and billboards, which conveyed an artistry that was a form of visual hyperbole. But hand-made objects always have a way of returning. In this digital age, people will always look for things made by hand. I recently stumbled across the work of Tony Stella, whose genuinely cool movie posters have caught the eye of film enthusiasts and art lovers worldwide. He likes to work in watercolor and ink wash but sometimes he will make an oil painting, depending on the film. Tony's very active on social media, and his Tumblr blog contains a massive collection of illustrated movie posters that are often better than the original. ...
These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.
If there were a Michelin star for public murals, Roamcouch would have it. No debate. His art is an elegant contradiction; it stops you in mid-stride and makes you stare. You argue with what you see. He works with scenes from everyday life, nothing fancy, then drops them into backgrounds full of playfulness and surprise. His murals feel like small rebellions, and they insist on being noticed. Here are some of his recent street art works. Roamcouch has a Facebook page and a website where you can find all his work.
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