It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale, a floating house, a massive wooden hippo. If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor, rising above the riverside beach.
The artwork, titled The Rising Tide, is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.
The interior of this newly-opened tea house in Tokyo's Shin Okubo district is designed to look like a two-dimensional cartoon. From doors and walls, to tables and chairs, each item inside the 2D Cafe is painted in plain white with soft, black edges. The restaurant offers milk tea, tapioca, coffee, fruit juices, and shaved ice desserts. The only thing that I don't like about the cafe is the space. The tables are so close together that you can hear the most private details of strangers' lives whether you care to or not. View this post on Instagram A post shared by 馬渡綾 (@adesso_mawatariryo) on Aug 31, 2019 at 8:16pm PDT View this post on Instagram A post shared by _____takahiro (@takahirooooop) on Aug 14, 2019 at 6:34am PDT
These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.
I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]
Comments
Post a Comment