It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale, a floating house, a massive wooden hippo. If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor, rising above the riverside beach.
The artwork, titled The Rising Tide, is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.
If you’re a fan of art that makes you do a double-take, you need to check out Richard Brener . Based in the UK, Richard is an internationally collected artist who works primarily with ink, fineliners, and gouache. When you first see his pieces, they actually look pretty playful. Then you realize the entire canvas is packed with thousands of tiny, ghost-like shapes he calls "champs." They’re all squeezed together like commuters on a rush-hour train, and the level of detail is honestly mind-blowing. Richard spends hundreds of hours drawing these little guys over and over. It’s obsessive, very intentional, and a little bit wild. The cool part is that the longer you stare, the more the vibe shifts. Check out more photos below:
In general, people don't like seeing ads, but sometimes, when companies and ad firms go out of their way to come up with creative, inspirational and clever ways to heighten awareness for their campaigns, ads can be pretty amazing. Take, for example, these posters Y&R developed for Long Live New York . They're simple, yet brilliant, and they appeal to their target audience's emotions. They're now in NYC subways to educate commuters about the noble act of organ donation. [h/t: The Inspiration Room ]
I've never seen Glas before and I'm absolutely delighted that Aeon Magazine uploaded the short doc on its Vimeo channel . Directed by Bert Haanstra, the 10-minute film about glass making won an Oscar for Best Short Documentary in 1959. "[ Glas ] contrasts the production of hand made crystal from the Royal Leerdam Glass Factory with automated bottle making machines in the Netherlands. An industrial film with a bebop heart, its lyrical use of light and sound still looks and sounds fabulous, nearly 60 years after it was made."
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