It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale, a floating house, a massive wooden hippo. If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor, rising above the riverside beach.
The artwork, titled The Rising Tide, is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.
These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.
Like a song I could listen to over and over, I'm stuck watching the videos of Alice Stewardson . She's a brilliant artist from England who creates realistic-looking pastries that are actually made from ceramics. Alice studied 3D Design and Craft at the University of Brighton, and she currently works from her studio at Phoenix Galleries. Her videos are an absolute delight to watch, and her creations look so delicious that I would desire to eat them. Take a look:
I recently stumbled upon the work of Margritt Martinet , whose drawings are giving my brain a delightful yet exhausting workout. This French artist, you see, deals in the glorious, mind-bending borderland between the organic and the futuristic. She doesn't just create art; she crafts entire visual universes that are so immersive and dynamic you feel like you should be wearing a spacesuit just to look at them. My mind simply cannot wrap itself around the sheer volume of focused physical labor that goes into these things. The pieces are intricate, layered, and incredibly consistent. But what truly inspires—and simultaneously mocks—me is her patience. This, my friends, is the real superpower. I once attempted a similar large-scale, intricate project. It started so well: my early lines were sharp, and my geometric shapes were perfect. Then, slowly but surely, as the hours stretched and the cramping started in my wrist, the inevitable descent began. The sharp lines became... a little mo...
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