Skip to main content

Stone horsemen invade River Thames


It's not uncommon to see huge art installations on River Thames: a giant fiberglass sperm whale, a floating house, a massive wooden hippo. If you happen to be in London, head down to Nine Elms, on the south bank of the waterway, any day this month, and — if it's a low tide — you'll see a group of stone horsemen by world-renowned underwater sculptor Jason deCaires Taylor, rising above the riverside beach.

The artwork, titled The Rising Tide, is part of the Totally Thames arts festival and is the first of its kind to be installed in the famed river. Four three-meter tall working horses with riders are shown — two of the riders are businessmen and two are children — though horse heads have been replaced with oil pumps. The sculptures are on display until the end of September.




Comments

Popular posts from this blog

Thai artist paints on mosquito nets

I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]

'Women of the Future,' according to vintage trading cards

Firefighter In 1902, French artist Albert Bergeret printed this set of trading cards depicting women and their futuristic occupations as firefighters, politicians, soldiers, lawyers, and journalists. Titled Women of the Future , these collectibles were released primarily for the boys, that's why many of these outfits fall more on the side of post-Victorian pin-up calendar than professional attire. General Marine Journalist Artist [h/t: Dangerous Minds ]

When Mickey Went Gothic

In the 1930s, Universal's hits like Dracula and Frankenstein had everyone buzzing, and Walt Disney wanted a piece of that spooky action for his biggest star. The result was The Mad Doctor —a frantic, gothic horror show where Mickey Mouse has to brave a booby-trapped castle full of dancing, self-assembling skeletons to rescue his snatched dog, Pluto. It was the first time audiences saw a truly terrified Mickey. Not only did some theaters refuse to screen the short film, but the British Board of Film Censors (BBFC) outright banned it, deeming it "too gruesome" for kids.