Taku Obata's wooden sculptures celebrate b-boy subculture

Taku Obata is a Japanese artist who produces impressive life size sculptures that pay homage to the breakdancing subculture. Using traditional Japanese wood carving techniques, the Saitama-born sculptor creates b-boys clad in neon sweatsuits and exaggerated hats and glasses posing in various breakdancing stances. Taku has showcased his art all across Japan – including a solo exhibition at the Nakamura Keith Haring Museum in 2012 and the Jonathan Levine Gallery in 2014. He is probably right now in his lair, creating some new b-boys for yet another epic street dance battle.

[h/t: Very Nearly Almost]

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1968 Computer Art Done by Plotters

These drawings received honorable mentions in the 1968 Computer Art Contest organized by Computers and Automation magazine . Most of the images in the issue were programmed in Fortran and were plotted off line on CalComp plotters . [h/t: Kottke ]

This steampunk-themed cafe makes the meme cool again

Now, maybe I'm as tired of steampunk as you guys, but that doesn't mean I'm going to pretend something like this isn't cool. Located in the Romanian city of Cluj, Enigma claims to be "the world's first kinetic steampunk bar." I don't know if that's true, but the place looks pretty dope with all the dynamic art installations. [h/t: Colossal ]

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

finding cain

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