Taku Obata's wooden sculptures celebrate b-boy subculture

Taku Obata is a Japanese artist who produces impressive life size sculptures that pay homage to the breakdancing subculture. Using traditional Japanese wood carving techniques, the Saitama-born sculptor creates b-boys clad in neon sweatsuits and exaggerated hats and glasses posing in various breakdancing stances. Taku has showcased his art all across Japan – including a solo exhibition at the Nakamura Keith Haring Museum in 2012 and the Jonathan Levine Gallery in 2014. He is probably right now in his lair, creating some new b-boys for yet another epic street dance battle.

[h/t: Very Nearly Almost]

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Thai artist paints on mosquito nets

I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]

'Women of the Future,' according to vintage trading cards

Firefighter In 1902, French artist Albert Bergeret printed this set of trading cards depicting women and their futuristic occupations as firefighters, politicians, soldiers, lawyers, and journalists. Titled Women of the Future , these collectibles were released primarily for the boys, that's why many of these outfits fall more on the side of post-Victorian pin-up calendar than professional attire. General Marine Journalist Artist [h/t: Dangerous Minds ]

When Mickey Went Gothic

In the 1930s, Universal's hits like Dracula and Frankenstein had everyone buzzing, and Walt Disney wanted a piece of that spooky action for his biggest star. The result was The Mad Doctor —a frantic, gothic horror show where Mickey Mouse has to brave a booby-trapped castle full of dancing, self-assembling skeletons to rescue his snatched dog, Pluto. It was the first time audiences saw a truly terrified Mickey. Not only did some theaters refuse to screen the short film, but the British Board of Film Censors (BBFC) outright banned it, deeming it "too gruesome" for kids.

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