"Fukushi would perform autopsies on donated cadavers and dissect off just the skin. He created a method of treatment to preserve the skin and kept them stretched in a glass frame, essentially like a leather. Later the ownership of the tattooed skin collection was passed on to Fukushi's son Katsunari. Katsunari added a further 20 tattooed skins himself and it's believed that the Medical Pathology Museum has 105 in its collection, many with full body suits."
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...





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