Skip to main content

Guillermo del Toro's horror memorabilia to go on display at LACMA


Guillermo del Toro has amassed a vast collection of creepy art over the years. Now, he intends to share them with fans in a new exhibition at the Los Angeles County Museum of Art, which will run from July 31 to November 27.

Guillermo del Toro: At Home with Monsters will feature his personal collection of oddities, eccentricities, and just plain gross items. After its stint at LACMA, the exhibit will move on to the Minneapolis Institute of Art and the Art Gallery of Ontario. For now, watch the visionary filmmaker take you on a tour of his Bleak House in the video below.


[h/t: Time Out]

Comments

Popular posts from this blog

New Davis Guggenheim documentary examines the mind of Bill Gates

The trailer for a three-part docuseries examining the life of Bill Gates in all of its complexity has just been released. Directed by Davis Guggenheim ( An Inconvenient Truth, It Might Get Loud ), Inside Bill's Brain: Decoding Bill Gates will focus on the tech visionary's post-Microsoft life as he pursues unique solutions to some of the world's most persistent problems. It comes to Netflix on September 20.

The Adorable Sculptures of Yen Yen Lo

These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

The Art of Nicola Samori

Does Nicola Samori ever underwhelm? The Italian painter and sculptor caught my attention some two years ago, when I stumbled upon his work on Artsy . Samori creates dark, Baroque-inspired oil paintings by layering and fusing images on canvas, wood or other objects. His work stems from fear, and his process involves "skinning" his painted figures with a palette knife or thinner and painting over the surfaces multiple times to achieve deep-seated results. "Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a  2012 interview . "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal,...