Welcome to My Life

What if you could live your life all over again? I was thirty-three, clumsy, frustrated with life and terrified of fatherhood. I went years without a steady job, which really ticked my wife off because she was forced to work 12 hours a day so she could give our daughter a better future.

Our apartment was a messy two-bedroom located on the third floor of a very old building in downtown Manila. It was filled with college kids and the landlord was accustomed to haggling over rents. She was fifty-two but looked forty. A skinny woman with short brown hair trapped in a boring, sexless marriage. I'd spent hours in that little burrow wondering if I could steal her away for a weekend.

Not very long ago, I looked at some classy townhouses down south fit for a young professional. I'd dreamed of working in a high-pressure environment filled with great minds. I was sickened and saddened by what I had become, and I was astounded by the speed at which I had fallen.

But I vowed not to give up. I told myself: "Sure it's a rough and tumble world out there...but I will prevail. Sit on your butt around here all day and you'll starve to death." I promised to do something different and reinvent myself. That's what I did.

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Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

Kidlat de Guia's woven art

Kidlat De Guia is a photographer and filmmaker who lives and works in the Philippines. He is best known for a body of work that mixes different media as well as traditional with contemporary art-making techniques. The selected images in this post were part of his Woven into Being exhibition, which took place a fews weeks ago at the Galeria Duemila in Pasay City. This series of portraits deals with the idea of blending modern photography with the indigenous art of weaving to produce geometric tapestries with tile-like look. Working with his stock of photos taken during trips and fieldwork around the Philippines, Kidlat creates double vistas through the cutting, splicing, and weaving of the pictures. The results are rivetingly composite and texturized layers of photographic images that disclose an alternate reality.

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