Skip to main content

Big Bert

Our dinner included small chunks of crocodile meat served on a sizzling platter. It wasn't the first time I've eaten croc, but it was the first time I've done it with my wife. Anne is not into exotic dishes, but she took a small bite just to try it. The meat was tender and delicious, and I ate the sisig like candy. I smiled at my wife and sipped my beer. A few minutes later an old friend called, sounding stressed out.

   They found him living alone in an old concrete house in Santa Magdalena, a nice little coastal town in Sorsogon, bounded by Bulusan, Matnog and Irosin. They found him after three years of rigorous searching, three years of false tips, and three years of unanswered prayers.

   On the night of April 23, 2012 in Makati City, Danny stabbed a 27-year-old car salesman in his right shoulder. The victim was found in his two-bedroom condo unit bleeding, half-naked, but still alive. There were bruises on his face and abdomen, and different drug paraphernalia were found inside a small cabinet near his queen size bed. The victim's girlfriend was inside the apartment at the time of the stabbing, but she managed to escape the scene without injury. It was a drug deal gone bad.

   Danny was a big man, an ex-seminarian, and almost six feet tall. In the local club scene, they called him Big Bert (based on the Voltes V character). He was 20 years old when he headed to Manila from his home in Zamboanga. It was 1998, and, before long, Danny had landed a job at the Philippine Star as an editorial assistant. His family life was pretty normal, nothing out of the ordinary, and he had three decent jobs before he became a hustler.

   My first encounter with Danny was during the anniversary party of a men's magazine. As soon as I met him, I imagined that I'd know him for the rest of my life, and probably go on fishing with him in my late forties. He started selling illegal drugs at the age of 29. He was charismatic and articulate and funny, and, in just a short time, he had built a strong distribution network and made his connections a lot of money. He was my primary source for high grade hash. He owned three guns but he never had to use them.

   He said the three most commonly asked-for substances in Metro Manila aside from weed are crystal meth, cocaine, and ecstasy. He used to sell a portion of his monthly stash to other dealers, but he really liked to maintain a direct connection to his dear customers: film and TV stars, advertising executives, models, artists, fashion designers and musicians. He was treated like royalty in clubs, and, after two years of hustling, he purchased a second car, a Volvo.

   Over the months that followed, we grew much closer, and we partied a lot. Every time he went to Sagada, Boracay or Zamboanga for official business, I stayed at his pad. One day Danny returned home with a puppy and a backpack full of cash. When he told me that he also wanted me to sell narcotics, I knew that I was no longer valuable to him unless I could make him money. Yes, I had sold some pot to some of my friends, but I didn't want to be a full time drug dealer. I broke all ties with Big Bert and put my hard knock life behind me.

   When I saw him yesterday at a detention cell in Manila, Danny was in a tremendous amount of misery. He had never been so isolated before. He was much thinner, down considerably from the two hundred and eighty pounds he'd been carrying when last seen. His skin was darker, hair shorter, and the colorful geisha tattoo on his left arm had been removed. We hugged, and we spoke for a while, until security arrived to escort him. I wanted so badly to help him but there was nothing I could do.

Comments

Popular posts from this blog

Hand-Painted Movie Posters by Tony Stella

In the 70s and 80s movie theaters in Manila were usually standalone buildings with nice seats and red curtains. To sell tickets, cinemas needed to advertise their offerings. But they did not have the original posters, or the means to print alternatives. So they made their own, commissioning local artists to hand-paint them. I really miss those hand-painted posters and billboards, which conveyed an artistry that was a form of visual hyperbole. But hand-made objects always have a way of returning. In this digital age, people will always look for things made by hand. I recently stumbled across the work of Tony Stella, whose genuinely cool movie posters have caught the eye of film enthusiasts and art lovers worldwide. He likes to work in watercolor and ink wash but sometimes he will make an oil painting, depending on the film. Tony's very active on social media, and his Tumblr blog contains a massive collection of illustrated movie posters that are often better than the original. ...

Joie de vivre

Emily Powell has made a name for herself with her series of simple, colorful and exuberant paintings. Her passion pours out directly onto the canvas, inspiring the viewer to do something fun.  Emily has exhibited with the Royal Society of Art and collaborated with MoMA and British Museum. Whether it's a coastal landscape, a cute animal, or an explosion of florals, her paintings will surely light up your day.

The Art of Taglietti

Emanuele Taglietti is an Italian designer, illustrator and painter known for his erotic and sometimes outrageous comic book covers during the the '70s and '80s. Inspired by the art of Frank Frazetta and Averardo Ciriello, he painted hundreds of covers for books such as Zora the Vampire , Sukia , Mafia , and 44 Magnum . Taglietti also restored old paintings and occasionally collaborated as an illustrator for magazine publishers such as Mondadori and Rizzoli.  Just this year, Sex and Horror: The Art of Emanuele Taglietti , a book by Mark Alfrey was published celebrating Taglietti's work. The "highly visual biography displays dozens of his amazing full-color paintings, explores his fascinating life and career, and takes a look behind the scenes at his exacting technique." Check it out on Amazon .