Artists transform BGC walls into larger-than-life masterpieces

If you happen to be in Metro Manila and you find yourself in need of an art fix, head straight for Bonifacio Global City. Several murals have emerged across the cityscape, and people couldn't help but stare.

A few weeks ago, international artists FAILE, CYRCLE, AkaCORLEONE, Kristin Farr, Drew Merritt and Nate Frizzell, travelled to the Philippines to take part in the ArtBGC NextAct One Festival, a weeklong mural-centric event touted as the first of its kind in the country.

Curated by LeBasse Projects, and held in partnership with the Bonifacio Arts Foundation (BAFI) and Globe Telecom, the world-renowned artists were joined by local talents Egg Fiasco and Anjo Bolarda in painting larger-than-life masterpieces on iconic BGC walls. While the artists had different aesthetics, one common theme they worked on was urban living. Check out the murals below:

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Poshichi's Digital Take on Nihonga

Using digital tools, Poshichi makes nihonga-style pictures of everyday life. These images can be anywhere from funny to calm, thoughtful, imaginative, or even a bit wild. It's a wonderful harmony: the past rendered perfectly in the present. Nihonga is basically Japanese painting that gets its look from using mineral pigments (and sometimes ink) on surfaces like silk or paper. The term was created back in the Meiji period (1868–1912) just so people could tell it apart from Yōga, which is what they called Western-style painting. Art was everywhere in Poshichi's childhood: the grandfather ran a framing shop, and the grandma was an art teacher. Poshichi loved to draw, and was destined for an art career. But, you know how it goes—life had other plans. Thankfully, a friend encouraged the Japanese artist not to quit drawing, even if just as a hobby. Though Poshichi initially created dark, gloomy pieces due to depression, adopting a cat two years ago changed everything. “I felt the nee...

The Adorable Sculptures of Yen Yen Lo

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Hand-Painted Movie Posters by Tony Stella

In the 70s and 80s movie theaters in Manila were usually standalone buildings with nice seats and red curtains. To sell tickets, cinemas needed to advertise their offerings. But they did not have the original posters, or the means to print alternatives. So they made their own, commissioning local artists to hand-paint them. I really miss those hand-painted posters and billboards, which conveyed an artistry that was a form of visual hyperbole. But hand-made objects always have a way of returning. In this digital age, people will always look for things made by hand. I recently stumbled across the work of Tony Stella, whose genuinely cool movie posters have caught the eye of film enthusiasts and art lovers worldwide. He likes to work in watercolor and ink wash but sometimes he will make an oil painting, depending on the film. Tony's very active on social media, and his Tumblr blog contains a massive collection of illustrated movie posters that are often better than the original. ...

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