Helena Hauss draws awesomely detailed ballpoint pen illustrations

Paris-based illustrator Helena Hauss takes simple ballpoint pens and uses them to create huge drawings (usually around 100cm x 70cm) with incredible detail. I really like the vivid and contrasted colors of her illustrations, which depict teens thriving on early adulthood as they drink, kiss, party and discover the world around them.

Helena started drawing with ballpoint pens in high school and became so accustomed to using them that she never found herself at ease with other medium. "I started drawing all through high school in my exercise books rather than writing down what the teacher was saying," she explains on her website. "And using a Bic biro was always a good way not to get caught!"

Below are some of my favorites:

[h/t: Design Collector]

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She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

finding cain

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