Skip to main content

HP's new spot encourages kids to pursue creativity


I was looking at this new commercial for Hewlett-Packard's Sprout when I realized it's directed by the same guy who shot the 2009 film Where the Wild Things Are

   The 60-second ad, created by 180 LA and directed by Lance Acord, is a beautiful story of creativity lost and found. Early scenes show Jane as an imaginative child and teenager, but her artistry gets worn down as she tries to cope with the demands of adulthood. Her creative spark is reignited when she sees her daughter decorating a doll—and the two begin various tasks on Sprout.

   For the unfamiliar, Sprout is an all-in-one PC with a touch-sensitive mat that acts as a second screen, and an overhead projector/camera that can scan 2D and 3D objects. You can even use a stylus to draw on the mat and move scanned images around.

   It's truly innovative. The only thing that you could say is conventional is the desktop running on a fourth-generation Intel Core i7 processor, with 1 TB of storage, an NVIDIA GeForce GT 745A graphics, and 8GB of RAM.

   Aside from the one-minute commercial, HP has also released a behind-the-scenes video showing a group of children recording the Logical Song by the English rock band Supertramp.




[h/t: Adweek]

Comments

Popular posts from this blog

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

The Unseen Emotional Landscape

I'm currently obsessed with Pon Arsher . Her paintings are like a stylish cage fight between realism and abstraction, and every human figure seems to be nursing a perfectly haunting and beautiful existential hangover. On my computer, it's cool. But I want to see the real deal. The internet is probably the greatest gallery humanity has ever created. But sometimes, a piece of art leaps off the screen and refuses to be contained by your monitor. Anyway, when she was young, the self-taught Moldovan artist found drawing in silence more fulfilling than socializing. But she wasn't avoiding life; she was capturing it. Drawing wasn't an escape from friends, but an intense conversation with the most essential, silent part of her soul. Her art looks like an emotional x-ray, and it lulls me into a dream state. It's also a reminder, for herself and viewers, that our feelings—even the bad ones—are valid. Ms. Arsher proves that art only needs an authentic voice and the courage to ...