Kidlat de Guia's woven art

Kidlat De Guia is a photographer and filmmaker who lives and works in the Philippines. He is best known for a body of work that mixes different media as well as traditional with contemporary art-making techniques.

The selected images in this post were part of his Woven into Being exhibition, which took place a fews weeks ago at the Galeria Duemila in Pasay City. This series of portraits deals with the idea of blending modern photography with the indigenous art of weaving to produce geometric tapestries with tile-like look.

Working with his stock of photos taken during trips and fieldwork around the Philippines, Kidlat creates double vistas through the cutting, splicing, and weaving of the pictures. The results are rivetingly composite and texturized layers of photographic images that disclose an alternate reality.

Comments

Thai artist paints on mosquito nets

I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]

Experiencing Flight Through an Eagle's Eyes

Have you ever looked up and wondered, "What does it feel like to soar majestically like an eagle?" This video offers a captivating glimpse. Expert bird handler Lloyd Buck attached a small 360-degree camera and a GPS tracker directly to the back of one of these magnificent predatory birds. The entire setup creates a stunning, first-person virtual reality experience—only this one is real and features a creature with an impressively large wingspan. However, this isn't just for cool footage. The real mission is to capture valuable scientific data: examining how quickly an eagle can gain altitude and precisely how its incredible wings are adapted to achieve such breathtaking, effortless lift.

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These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

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