Skip to main content

Photos of a time when the U.S. held Filipino tribesmen in zoos

Igorot men from the Philippines dance in a semi-circle at the St. Louis World's Fair.

It wasn't too long ago that thousands of Filipino tribesmen were taken from their motherland and displayed as carnival or zoo exhibits for the American people to gawk at. The year was 1904. The place was St Louis, Missouri. Filipino ethnic groups were a rarity for the American audiences in that era, and the US government decided to bring 1,300 Filipino minorities from various tribes to the tune of $1.5 million and exhibited them like animals in front of large crowds.

The St. Louis World's Fair unveiled to the world new ideas, products and technological feats that captivated thousands of visitors. But during the seven months that the fair was open, 'living exhibits' also entertained guests with their religious songs, war dances, and other tribal rituals. The biggest crowd-drawers were the Igorots, who were introduced to their colonial masters as primitive dog-eating headhunters.

These exhibits were conducted to prove that indeed, white people were at the top of civilization, and turned native peoples of darker color into objects, to be scrutinized, to be gawked at, and inevitably to be pitied and despised.

Igorots resting after performing a ritual dance.

In 1905 former Bontoc lieutenant governor Truman Hunt brought with him a group of Igorots to the United States where they travelled around and put on human exhibits. Hunt's operation came to an end after rumors broke out how he maltreated the tribesmen. The export of ethnic groups was finally banned by the Philippine government in 1914 when it passed a comprehensive anti-slavery law. With that, the concept of human zoos largely faded from public consciousness.

Filipino tribesmen at Dreamland, Coney Island, New York.

Young Filipino girl, Coney Island, New York.

This article was published in the Los Angeles Herald on December 10, 1905. Found via this blog.

[h/t: FilipiKnow]

Comments

Popular posts from this blog

Sayaka Ganz creates amazing art menagerie from discarded plastics

I could never get enough of Sayaka Ganz . The Japanese-born artist saves the planet from plastic, at the same time creates brilliant animal sculptures. Raised under the Japanese philosophy of Shintoism, she hopes to bring greater awareness to the condition of our environment through her art. When creating sculptures, Sayaka organizes the reclaimed plastic objects into color groups, constructs a wire frame, and then carefully attaches the fragments of waste until she creates the shape she has envisioned. Her work has been exhibited in many places around the globe, among them Parma, Tokyo, Denver, New York, and San Francisco to name a few. Sayaka's Reclaimed Creations is currently on view at the Asian Arts & Culture Center at Towson University in Maryland. She regularly posts on Facebook, so be sure to like and follow her page for updates.

'Women of the Future,' according to vintage trading cards

Firefighter In 1902, French artist Albert Bergeret printed this set of trading cards depicting women and their futuristic occupations as firefighters, politicians, soldiers, lawyers, and journalists. Titled Women of the Future , these collectibles were released primarily for the boys, that's why many of these outfits fall more on the side of post-Victorian pin-up calendar than professional attire. General Marine Journalist Artist [h/t: Dangerous Minds ]

Urs Fischer creates candle sculpture of Leonardo DiCaprio and his parents

Some sculptures are built from stone and are meant to be as permanent as possible. Others are made to be deliberately short-lived, like this monumental art piece by Urs Fisher . His latest wax figure, Leo (George & Irmelin) , depicts Leonardo DiCaprio with his parents. Presented at the Gagosian Gallery, Paris , the sculpture is composed of a double portrait of the Hollywood actor. One portrays him talking to his dad, who is standing separately, and the other—which is linked to the first like a conjoined twin—portrays him hugging his mom, both of them smiling. The Swiss artist began to create candle sculptures in the early 2000s. Last year, he made a larger-than-life-size wax figure depicting Russian art collector and founder of the Garage Museum of Contemporary Art in Moscow, Dasha Zhukova. As with all of Fischer's candle sculptures, Leo (George & Irmelin) will melt slowly over the course of the exhibition, a poetic and visual reminder of the mortality we all mus...