"Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a 2012 interview. "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal, why not) can outline the author identity."
Before fatherhood found me, I edited videos for television stations and various companies. It's about digitizing clips, unearthing the perfect sequence, picking the right music, and finding the one line in a two-hour interview that the producer wants to include. On a Thursday morning during my stint at TV 5, I paid a heavy toll. It was 4 AM, and to keep up, I’d become a connoisseur of the free kapeng barako from the pantry. Piles of half-eaten fast food take out boxes, empty cans of Coke and energy drink, and abandoned coffee cups covered our desks. A single cup turned into three, then six, then eight. I had a deadline and that liberica was the only thing keeping me awake. In the corner, hunched over a pair of white headphones, was Neil, the master editor. On the other side of the room, gfx artist Ronald was silently polishing his After Effects animation. The room started to spin. I gripped the edge of my seat. Neil walked over, his eyes wide with concern, and put his hand on my s...
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