Skip to main content

It's all in the palms: The IMTI kinetic smartphone charger


It looks ridiculous and a little exhausting, but I would actually use it to charge my smartphone, sometimes. Designed by Ramon Marc Zolliker, IMTI generates power while you roll the spindle between your palms, as shown in the video above. Much like one of those fire starters used by cavemen, the wooden kit contains a drill chuck, or opening, that can be used with a stick to charge a connected device, such as an iPhone.

The idea behind the project is that we are all digital nomads, which Marc defines as "a person, who uses technology, particularly wireless networking, to work and live, without requiring a fixed location." As digital nomads, the act of charging your smartphone or tablet is a ritual in itself, which the German arts student wants users to reflect on by using this device.




[h/t: Wayerless]

Comments

Popular posts from this blog

The Unseen Emotional Landscape

I'm currently obsessed with Pon Arsher . Her paintings are like a stylish cage fight between realism and abstraction, and every human figure seems to be nursing a perfectly haunting and beautiful existential hangover. On my computer, it's cool. But I want to see the real deal. The internet is probably the greatest gallery humanity has ever created. But sometimes, a piece of art leaps off the screen and refuses to be contained by your monitor. Anyway, when she was young, the self-taught Moldovan artist found drawing in silence more fulfilling than socializing. But she wasn't avoiding life; she was capturing it. Drawing wasn't an escape from friends, but an intense conversation with the most essential, silent part of her soul. Her art looks like an emotional x-ray, and it lulls me into a dream state. It's also a reminder, for herself and viewers, that our feelings—even the bad ones—are valid. Ms. Arsher proves that art only needs an authentic voice and the courage to ...

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

Preserved tattoos of the dead

The idea of preserving tattoos after death came into existence long before NAPSA . London's Wellcome Collection has over 300 specimens of preserved human flesh bearing tattoos , collected in the late 19th century. There are many more examples of smaller collections in Paris, Poland, Portugal, Berlin, and Austria. But what fascinates me the most is this lesser-known museum at Tokyo University, the Medical Pathology Museum, which houses pieces of skin collected since 1926 by Dr. Masaichi Fukushi. "Fukushi would perform autopsies on donated cadavers and dissect off just the skin. He created a method of treatment to preserve the skin and kept them stretched in a glass frame, essentially like a leather. Later the ownership of the tattooed skin collection was passed on to Fukushi's son Katsunari. Katsunari added a further 20 tattooed skins himself and it's believed that the Medical Pathology Museum has 105 in its collection, many with full body suits." ...