Skip to main content

Caitlin McCormack's Creepy Crochets


I've been following Caitlin McCormack on Twitter for quite some time now, but I realized that I haven't posted about her awesome work here on my blog. Caitlyn is a Philadelphia-based artist known for her intricate skeleton sculptures of different animals pinned to black backgrounds or encased in glass specimen jars. They're not real skeletons, of course. The 27-year-old University of the Arts graduate crochets them from glue soaked string.

Her grandfather was a skilled bird-carver and her grandmother a talented crocheter. She started making the sculptures as a way to cope the loss of her grandparents, who died within months of each other.

"The act of stiffening intricately crocheted cotton string with glue produces material that is structurally similar to delicate bone tissue,"she says. "The string implemented in this process can be viewed as the basic cellular unit of fabrication, and by utilizing media and practices inherited from my deceased relatives, I aim to generate emblems of my diminishing bloodline, embodied by each organism's skeletal remains."




Caitlin's Mnemosyne is currently on view at Paradigm Gallery + Studio in Philadelphia. The exhibit opened on October 23 and runs through December 12, 2015, so you've got plenty of time to check it out if you happen to be in (or near) the City of Brotherly Love.

Comments

Popular posts from this blog

Hand-Painted Bags That Tell Your Story

  Most bags today look like they were produced by bored machines in a dimly lit factory. You can walk into any mall and find rows of identical leather (or “leather-like”) things, all claiming to express individuality. Ironically, though, they all look exactly the same. Then there’s Abby Verano . Her bags are not mere accessories; they’re declarations. Each one is hand-painted, touched by an actual human being with an imagination. Abby doesn’t just sell you something to put your wallet and smartphone in; she sells you a story, a vision, a little revolt against the tyranny of sameness.  Her tools are simple — brushes, acrylic paint, bags made from pandan leaves, and creativity. No duplicates. No clones. Just one-of-a-kind art pieces you can carry.

Where Fantasy Meets Folklore

Timothée Humbert creates wild, zoomorphic sculptures that pull the viewer into an imaginary world. This place is full of strange, funny, and sometimes grotesque little beings. His creatures feel ancient and childlike at the same time; one can't tell if they are jokes, spells, or something sacred. Humbert was born in Paris in 1979. While primarily a ceramic artist, he also draws, paints, and engraves. He earned his Fine Arts diploma in 2004, and a year later, he set up his studio. Since then, he has created nothing but one-of-a-kind pieces. These include monsters grinning like kids who know something you don't, skulls with attitude, and oddball geniuses who might be ghosts. His style mashes together global traditions and pop culture. You can trace the lines from Japanese ceramics, African sculpture, and Mexican Día de los Muertos, then, out of nowhere, find manga, fantasy, and sci-fi. Together, they create a kind of postmodern language—a jumble of hieroglyphs that hum with life....

Beyond the Mug

Coffee is more than a drink. It’s a lifestyle, a coping mechanism. And for some, it’s a medium. Yes, a painting medium. While most of us use it to fuel our questionable decisions, a select group of people are using it to make art. Real art. Painting with coffee isn’t new, apparently. It’s been around for centuries, which is about how long it feels when you’re waiting for a barista to spell your name right. But recently, coffee painting has staged a comeback. Artists, perhaps tired of the tyranny of acrylics and oil paints, or just broke, have rediscovered its charm. Take Nelsie Geografo , for instance. While I’m struggling to make my latte art look less like a disoriented ghost, she’s out there creating masterpieces with instant coffee. She doesn’t need fancy tubes of color or exotic pigments. Just coffee, water, and a bit of imagination. And the best part? The smell. While traditional painters suffer through the fumes of turpentine, Nelsie’s studio smells like a café that actually spe...