Skip to main content

Axel Void's unsettling new artwork in Denmark


I read somewhere that a commuter sued Showtime a couple of years ago because an advertisement caused her to break her ankle. The ad for the TV series Dexter, featuring Michael C. Hall's face wrapped in a plastic sheet, was so disturbing, the woman lost her footing and tumbled down a subway staircase. Well, this artwork by Axel Void reminds me of that Dexter ad.

A few months ago, the Miami-based artist was invited by the good folks from WEAART Festival to create a new piece on the streets of Aalborg in Denmark. The mural is based on his Sehnsucht exhibition in Berlin, which gives "emphasis to that confusion and state of wellbeing within our basic necessities, and longing for something else."




More about the artist:

"Axel Void has from an early age been strongly influenced by classical painting and drawing. Void's style is nostalgic and sometimes bittersweet – and his signature style proposes striking and ironic messages in an everyday life context. Often the works of Void are related to psychological themes. He constantly seeks new ways to interpret beauty and mirror society. These unpleasant, psychological and social issues dominating his work are repeatedly broken by ironic statements and the beauty he finds in even the most mundane of daily life. Axel Void likes to go in dialogue with the specific location and the local culture. Using metaphors to show the duality of our daily life as humans – no matter who we are and where we live."

[h/t: Urbanite]

Comments

Popular posts from this blog

She Knows You’re Looking

To be honest, the first thing I noticed in these portraits wasn’t the texture, the lighting, or the color palette. It was her. Who is she? Is she real, or is she imaginary? Does she have an Instagram? I was hooked right away. I mean, I’m a guy. So yeah, I felt something at once. If you caught yourself staring a little longer too, don’t worry. You’re not alone. In most of these Roberto Martin Sing pieces, she looks straight at you. Her gaze isn't aggressive, but it isn't shy either. It's more like she's saying, “Hi. I know you’re looking. It’s fine.” In one painting, the young woman is rising from the water with full nymph energy. Men have been falling for this stuff since ancient Greece. She’s the goddess in the forest or the woman in the lake. There’s soft light, glowing skin, and zero real-world problems. She looks very feminine without being flashy. Inviting without trying too hard. And you can’t help but wonder what she’s thinking. The work moves between contempora...

Where Bad Space and Good Music Collided

My first apartment was in Malate, and calling it “small” would be generous. I lived there with two girls and one guy, and to this day, I genuinely don’t know how we all fit. It felt like a magic trick. Or a health hazard. We were a musical mess. One roommate lived and breathed ’70s classics. Another was permanently blasting Korn and Slipknot. One survived solely on cheesy love songs. And me? I was floating somewhere between new wave and folk rock, pretending that made sense. Somehow, despite the noise and the chaos, we all lived together in this weird, mismatched harmony. No murders. No lawsuits. A win, honestly. My music taste now is nothing like it was in my twenties. Not even close. But I’ll always be grateful to Jacqueline for introducing me to this song in particular. It was playing when I woke up from a very memorable sleep in 2002. I was 21, half-awake, probably confused about life, and that song stuck. It still hasn’t let go.

Some snaps from Eskinita