A music video made of 1,250 paintings

This music video for Ralf Hildenbeutel's Disco is kind of trippy, but I'm not saying that it's something you should watch while on drugs. Directed by Berlin-based filmmaker Boris Seewald, the animated video features more than 1,200 paintings on paper set to a high tempo electronic music. It's a bit chaotic, but I like it, especially the rough sketch quality of the painted images that are enchanting and sometimes even intense.

[h/t: The Creators Project]

Comments

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

The Mystical World of Akiya Kageichi

Sometimes I go to tumblr, type in a random word or phrase and see what catches my eye. When I found Akiya Kageichi's blog and it began to load, my eyes were dazzled by the expertly rendered illustrations. They're mystical, chaotic, ominous and deliciously so. Well, never mind what I have to say, the work speaks for itself.

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