This thread-like robot could be used to treat clots in the brain
A team of MIT engineers have developed a thread-like robot that they hope will make surgeons' lives easier one day. It's less than a millimeter thick and coated in a self-lubricating material. The device is controlled by magnets, and can easily worm its way through hard-to-reach places in the human body.
In the future, this robotic thread may be paired with existing endovascular technologies, enabling surgeons to remotely perform delicate procedures.
Gilbert Legrand doesn't see the world like the rest of us. You see a scrubbing brush, he sees an Apache chief. You see a a pair of scissors, he sees smooching lovers. The French artist's imagination is so wild and unrestricted that he can turn the most ordinary objects into unexpected sources of delight. I just spent half an hour lurking on his website, and you should, too.
Here's a strange tribal instrument I never heard of before now. Originally from the Tinananon tribe of southern Philippines, the bowl-shaped Salimbaa is made of metal and wood, has 30 bronze wound strings, and is played using two small sticks. Caleb Byerly, who makes lost/extinct musical tools in his North Carolina workshop, has an interesting story on how he made his first Salimbaa. WATCH: More details about Caleb and his craft over at Our State .
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...
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