These illustrations were made entirely on typewriters

In this age of touch screens, it's surprising that many still use the good old typewriter. Writing on this intricate machine, however, is not practical for some people. It's heavy. There's no backspace option. It needs ribbons that are hard to find. There's no choice in fonts. No spell check or grammar check.

But there's something satisfying about the physicality of typing, and these illustrations by Leslie Nichols prove what typewriters are capable of. I've featured Leslie's art here on Finding Cain in the past, and this time she's back with an array of beautiful new work.

Originally trained in painting, the Kentucky-based artist fell in love with typographic illustrations after getting a typewriter as a gift. Her She Said series is currently on display at LeMieux Galleries in New Orleans. If you're in the area, check out the show before it closes on November 16.

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Irene Saputra's Colorful Stitched Pieces

Embroidery is nowhere near forgotten, and in fact, it's experiencing something of a resurgence as artists around the globe are putting their own unique spins on the craft. Indonesia's Irene Saputra is one of them, and more than 45,000 people on Instagram already follow her. Handmade from colorful threads stitched onto fabric, Irene's embroideries begin as original illustrations. What I really like about her stitched pieces is that some of them are meant to be worn. Look at an array of her handiwork!

1968 Computer Art Done by Plotters

These drawings received honorable mentions in the 1968 Computer Art Contest organized by Computers and Automation magazine . Most of the images in the issue were programmed in Fortran and were plotted off line on CalComp plotters . [h/t: Kottke ]

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

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