And it's Sunday again...

People wear band shirts for a lot of reason. For some because it looked good on Ryan Gosling or Kendall Jenner, while for others it's because they are genuine fans of the artist and the music. But how much would you be willing to spend for a simple piece of clothing? A few years ago, someone apparently bought the Sonic Youth T-shirt that Kurt Cobain wore during Nirvana's 1994 Munich concert for $25,000. It is one of the highest recorded publicly purchased band shirt to date. If you have one of these tees hanging around in the back of your closet, you could be in the money. But please, do not wear a band shirt if you don't own at least one of their albums or have never seen them perform live. Save yourself from embarrassment. Anyway, here's some music.

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When chocolate meets art

I heard it's National Chocolate Day, so I thought I'd share this video about Orlando's newest and sweetest attraction.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

The Three-Step Secret

Have you ever encountered a painting that, up close, is pure chaos—a riot of color, a tantrum of brushstrokes? Yet, take a few steps back, and suddenly, the mess organizes itself. As if by cruel magic or divine intervention, the disarray snaps into clarity. That is the experience of viewing the art of Montana Engels . Her work is a testament to this phenomenon. Up close, Montana's canvases appear as nothing more than abstract, hand-painted stripes. Then you move away. Instantly, the mess resolves into a stunning, realistic portrait. The technique is extraordinary, turning proximity into confusion and distance into focus. Montana wasn’t always a phenomenon. Her creativity was just a hobby. Then came Belgium’s Got Talent . Suddenly, she was noticed. Now, she's everywhere. If you have a Facebook account, you might want to follow her .

finding cain

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