Skip to main content

Turning AI into art


Jenny Sabin is an American architect, educator, and researcher whose work centers on design and emerging technologies, and bridges the gap between science, art and architecture. Her latest project is called Ada, an astonishing AI-driven structure designed in honor of one of the first computer programmers, Ada Lovelace. It is made of fabric digitally knit with photoluminescent yarn, 895 3D printed nodes, 1,274 fiberglass rods, and weighs about 1,800 pounds. Ada is currently on view at Microsoft's corporate headquarters in Redmond, Washington.

WATCH:


Jenny was awarded the prestigious Architectural League Prize in 2014. Her work has been exhibited internationally including at the FRAC Centre, Cooper Hewitt Design Triennial, and as part of Imprimer Le Monde at the Pompidou.





[h/t: The AI Blog]

Comments

Popular posts from this blog

Thai artist paints on mosquito nets

I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]

'Women of the Future,' according to vintage trading cards

Firefighter In 1902, French artist Albert Bergeret printed this set of trading cards depicting women and their futuristic occupations as firefighters, politicians, soldiers, lawyers, and journalists. Titled Women of the Future , these collectibles were released primarily for the boys, that's why many of these outfits fall more on the side of post-Victorian pin-up calendar than professional attire. General Marine Journalist Artist [h/t: Dangerous Minds ]

When Mickey Went Gothic

In the 1930s, Universal's hits like Dracula and Frankenstein had everyone buzzing, and Walt Disney wanted a piece of that spooky action for his biggest star. The result was The Mad Doctor —a frantic, gothic horror show where Mickey Mouse has to brave a booby-trapped castle full of dancing, self-assembling skeletons to rescue his snatched dog, Pluto. It was the first time audiences saw a truly terrified Mickey. Not only did some theaters refuse to screen the short film, but the British Board of Film Censors (BBFC) outright banned it, deeming it "too gruesome" for kids.