Skip to main content

Consider the Fork


Have you read this gem of a book yet? I bought a copy at a thrift shop last week and finished reading it in two days. Rarely has a book with so much information been such an enjoyable read. In Consider the Fork: A History of How We Cook and Eat, British food writer Bee Wilson outlines the evolution of the kitchen and its contents with wit and skill. The paperback features history, science, and personal anecdotes on how our culinary tools—from spoons to pots to rice cookers—came to be and how their influence has shaped today's food culture. It is well researched and insanely detailed. Bee's style of writing makes it easy for readers to engage in her passion.

Here's an excerpt.

"Making toast is satisfying. You could say that's because it's such a comforting substance—the crispness, the heavenly aroma as yellow butter slowly melts into the crevices. But the satisfaction is also mechanical and childish: fitting the slices in the slots, setting the timer, and waiting for a ping or a pop.

For something so basic, the electric toaster arrived late. From the 1890's, gadget-crazy late Victorians could in theory use electricity to boil kettles and fry eggs, yet for toast they still relied on the toasting forks and gridirons of open hearth cookery. These were variations on the theme of prongs and baskets for holding bread (or morsels of cheese and meat) before the flame. Toasting, when you think about it is really roasting: applying dry radiant heat to something until the surface browns."

Comments

Popular posts from this blog

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

The Mystical World of Akiya Kageichi

Sometimes I go to tumblr, type in a random word or phrase and see what catches my eye. When I found Akiya Kageichi's blog and it began to load, my eyes were dazzled by the expertly rendered illustrations. They're mystical, chaotic, ominous and deliciously so. Well, never mind what I have to say, the work speaks for itself.