Faceless Figures

The details in Alex Gardner's work are enough to spark curiosity, but not sufficient to answer my questions. Who are these faceless people? What secrets do they hold?

The Long Beach-based artist draws inspiration from everyday people, 16th century European art, and films. His acrylic paintings on linen have an illusive feeling, but he insists that he is not a surrealist and he resists any categorization.

If you're a fan, like I expect you should be, follow him on Instagram for more amazing stuff.

Comments

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

The Mystical World of Akiya Kageichi

Sometimes I go to tumblr, type in a random word or phrase and see what catches my eye. When I found Akiya Kageichi's blog and it began to load, my eyes were dazzled by the expertly rendered illustrations. They're mystical, chaotic, ominous and deliciously so. Well, never mind what I have to say, the work speaks for itself.

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