Two music videos are better than one

When the vocals kick in at the start, you somehow have no idea where the song is going. Then the drums come in, the beat picks up, and suddenly it makes sense. KAZU's Come Behind Me, So Good! is an appropriate track to accompany a pharmacological nightcap. But even if you don't care for the actual song, the music video is a visual feast, taking advantage of several recent breakthroughs in technology.

The behind-the-scenes processes that went into making this video are just as fascinating as its visuals, so director Daito Manabe shared a breakdown of the techniques they used in choreography, CGI, and photogrammetry, which reconstructs 3D data from 2D still images taken from multiple angles.

Kazu Makino, the iconic voice of the shoegaze/dream pop group Blonde Redhead, released the first version of her video for Come Behind Me, So Good! on September 12, 2019. It was shot in Italy by the award-winning director Eva Michon and features the songstress dancing inside a small church.

Which one do you think is better?

Comments

Enigmatic Shapes and Psychedelic Patterns

To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

Kidlat de Guia's woven art

Kidlat De Guia is a photographer and filmmaker who lives and works in the Philippines. He is best known for a body of work that mixes different media as well as traditional with contemporary art-making techniques. The selected images in this post were part of his Woven into Being exhibition, which took place a fews weeks ago at the Galeria Duemila in Pasay City. This series of portraits deals with the idea of blending modern photography with the indigenous art of weaving to produce geometric tapestries with tile-like look. Working with his stock of photos taken during trips and fieldwork around the Philippines, Kidlat creates double vistas through the cutting, splicing, and weaving of the pictures. The results are rivetingly composite and texturized layers of photographic images that disclose an alternate reality.

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