'Black is a Color' by Tim Tadder

This is a video of photographer Tim Tadder detailing the technique of pouring thick layers of multi-colored paint on people to achieve striking, technicolor portraits. The project is called Black is a Color, and the results are pretty amazing.

Thanks to my good friend Liam, who told me he's gonna try this over the weekend. Nice, let me know how it goes and if you think I'm capable. Check out more of Tim's work on his Instagram.

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The Adorable Sculptures of Yen Yen Lo

These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.

'Anito Kristo' by Ronald Ventura

I've never specifically asked myself what Jesus might look like as a bulul but I can't say I'm disappointed that Filipino artist Ronald Ventura made this mashup a reality. Anito Kristo , his most recent sculpture exhibition at Secret Fresh Gallery , reimagines Christ as the rice guardian of Northern Philippine tribes. Traditionally, bulul are installed in barns to protect rice from pests, thieves and spoilage. They are also credited for an increase in harvest, or even magically increasing rice in storage. Now they have lost their ritual significance and have been relegated to souvenirs and decorations. I've come to expect the unexpected with mashups, but I'll admit—I didn't see this one coming. Ronald is arguably the Philippines' most commercially successful visual artist. In 2011, he set a historic record at the Sotheby's Modern and Contemporary Southeast Asian Paintings auction in Hong Kong when his piece sold for nearly 47 million pesos. ...

The Art of Nicola Samori

Does Nicola Samori ever underwhelm? The Italian painter and sculptor caught my attention some two years ago, when I stumbled upon his work on Artsy . Samori creates dark, Baroque-inspired oil paintings by layering and fusing images on canvas, wood or other objects. His work stems from fear, and his process involves "skinning" his painted figures with a palette knife or thinner and painting over the surfaces multiple times to achieve deep-seated results. "Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a 2012 interview . "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal,...

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