There are three seasons in the Philippines. Hot and sunny, hot and raining, or hot, sunny and raining, like a while ago, when the sky was so clear and then something came from the clouds and left the pavement wet. The smell of alimuom was on the air. My two kids were watching Dumbo. Somewhere out of sight, someone was playing a saxophone cover of Neil Diamond's Sweet Caroline. The wind blew harder for a while, then subsided as the sky lightened. I know you don't care but I do have some sort of fascination with weather forecasting. Anyway, here's some music.
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...
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