Going Traditional in a Digital World

What's behind the resurgence of wooden toys in the screen age? First, they are sturdy enough to be passed on for generations. Second, they never go out of style. Most wooden playthings also enhance the creativity and imagination of kids and help them with numeracy, literacy, motor skills and problem solving. They are also biodegradable and some are made from sustainable timber. Last but not the least, there are lots of quality wooden toys on the market that won't leave a hole in your wallet—like this unique piece of artwork from Greek design studio Matolaki.

This beautifully-crafted push-pull toy is guaranteed plastic free, doesn't need batteries and run on pure imagination. In the box you'll find a nice hand-printed cotton pouch, tied to a plan-card of a few animal toy models. Recommended for children ages 3 and up. You can get them for about $63 on Etsy.

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Poshichi's Digital Take on Nihonga

Using digital tools, Poshichi makes nihonga-style pictures of everyday life. These images can be anywhere from funny to calm, thoughtful, imaginative, or even a bit wild. It's a wonderful harmony: the past rendered perfectly in the present. Nihonga is basically Japanese painting that gets its look from using mineral pigments (and sometimes ink) on surfaces like silk or paper. The term was created back in the Meiji period (1868–1912) just so people could tell it apart from Yōga, which is what they called Western-style painting. Art was everywhere in Poshichi's childhood: the grandfather ran a framing shop, and the grandma was an art teacher. Poshichi loved to draw, and was destined for an art career. But, you know how it goes—life had other plans. Thankfully, a friend encouraged the Japanese artist not to quit drawing, even if just as a hobby. Though Poshichi initially created dark, gloomy pieces due to depression, adopting a cat two years ago changed everything. “I felt the nee...

Hand-Painted Movie Posters by Tony Stella

In the 70s and 80s movie theaters in Manila were usually standalone buildings with nice seats and red curtains. To sell tickets, cinemas needed to advertise their offerings. But they did not have the original posters, or the means to print alternatives. So they made their own, commissioning local artists to hand-paint them. I really miss those hand-painted posters and billboards, which conveyed an artistry that was a form of visual hyperbole. But hand-made objects always have a way of returning. In this digital age, people will always look for things made by hand. I recently stumbled across the work of Tony Stella, whose genuinely cool movie posters have caught the eye of film enthusiasts and art lovers worldwide. He likes to work in watercolor and ink wash but sometimes he will make an oil painting, depending on the film. Tony's very active on social media, and his Tumblr blog contains a massive collection of illustrated movie posters that are often better than the original. ...

Meet Mr. Head, a cleaning robot that makes abstract paintings

Painting might be the last thing you'd expect robots to excel at, but some of them produce top quality results. Take Mr. Head , for example. This machine creates paintings in the style of the American abstract expressionism movement. He used to be a vacuum cleaner, but a Japanese engineer, who goes by the name HYdeJII, turned him into an artist. The build is quite simple. HYdeJII attached four containers filled with acrylic paints into the robot and connected them with tubes. He then programmed the machine to move around a 1,000mm x 1,000mm canvas and squirt different paints. I bet he really likes Pollock and Riopelle. Check out a video of Mr. Head dripping paint down a canvas after the break. [h/t: Japan Trends ]

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